Overview
{{infobox film
| name = White Shoulders
| image = White Shoulders poster.jpg
| caption = Theatrical poster
| director = Melville W. Brown
| producer = William LeBaronHenry Hobart (associate)
| screenplay = Jane MurfinJ. Walter Ruben
| based_on = {{based on|'Recoil1922 story|Rex Beach}}
| starring = Mary AstorJack Holt
| music =
| cinematography = Jack MacKenzie
| distributor = Radio Pictures (aka RKO Pictures)
| released =
| runtime = 80 minutes
| country = United States
| language = English
}}White Shoulders is a lost 1931 American pre-Code comedy-drama film directed by Melville W. Brown and starring Mary Astor and Jack Holt, with major supporting roles by Ricardo Cortez and Sidney Toler. The film was produced and distributed by RKO Pictures. The screenplay by Jane Murfin and J. Walter Ruben was adapted from Rex Beach's short story, The Recoil.
The film touched on the topics of gold-digging, adultery, bigamy, gigolos, and theft. The rights to the story were optioned in late 1930, and the film went into production in March 1931. After approximately four weeks of filming, the film was screened in May.
A remake of the 1924 silent film entitled The Recoil, RKO released the film on June 6, 1931, and it did not perform well at the box office, making it yet another film by RKO to suffer a similar fate. Critically, it was a mixed batch of opinions, ranging from poor to very good. Most reviewers enjoyed at least some of the acting, but virtually all thought the plot was either too convoluted or simply implausible, although some at least gave it credit for its originality.
Plot
Norma Selbee is a chorus girl trying to make it in New York City. Her fortunes are not going well, and she is flat broke and on the verge of starvation when she meets Gordon Kent. Kent has spent the last several years in the back woods, utilizing his mining engineering acumen to accumulate a large fortune of approximately $20 million. He has come to the big city looking for a good time, hopefully among the "white shoulders" of the fair damsels of the Big Apple. Upon meeting Norma, he falls head over heels for her and proposes on their first evening together. Norma is reluctant to agree, for she is not a gold-digger, and she is not in love with Kent. But she has no prospects, and she feels that she may come to love him in time, so she agrees, and the two are immediately married.
From Wikipedia (CC BY-SA 4.0).