Overview
"Where It's At" is a song by American alternative rock musician Beck. It was released as the first single from his fifth album, Odelay (1996). Beck wrote the song in 1995 and premiered it at Lollapalooza the same year, in a version very similar to its incarnation on Odelay. He has performed the song often since 1995, frequently experimenting with the music and lyrics.
Production
"Where It's At" has a number of spoken samples that Beck and the Dust Brothers incorporated into it. Many of these come from an obscure sex education album titled Sex for Teens: (Where It's At), a subtitle Beck borrowed (see link below). Other vocal samples incorporated into "Where It's At" come from "Needle to the Groove" by old-school hip hop group Mantronix ("we've got two turntables and a microphone..."), as well as The Frogs ("that was a good drum break"). The song also references Gary Wilson, one of Beck's influences. In addition, just before the Frogs sample begins, the song incorporates a musical sample from the intro of noted go-go band E.U.'s song "Knock Him Out Sugar Ray".
Beck earned the Grammy Award for Best Male Rock Vocal Performance for the song. In October 2011, NME placed it at number 76 on its list of 150 Best Tracks of the Past 15 Years.
Critical reception
Justin Chadwick from Albumism said "Where It's At" is "the most memorable" song among the singles of the Odelay album. He added, "Propelled by a cacophony of distorted melodies, oddball vocal snippets, and the unforgettable chorus chant of “Where it’s at! I’ve got two turntables and a microphone”, with a robotic echo lifted from Mantronix’s 1985 single “Needle to the Groove”, Beck gives you little choice but to wholeheartedly accept his invitation to the “destination a little up the road”." Paul Verna from Billboard noted that "he takes a more straightforward tack, floating stream-of-consciousness raps over sampled beats." Daina Darzin from Cash Box picked it as Pick of the Week, noting that fans of "Loser" "should be equally happy with this". She wrote, "Jazzy, loopy keyboards, hip hop rhythms, psychedelic swirls of sixties-ish sound, and a happy, party-hearty groove make this a possible add for urban as well as modern rock stations."
From Wikipedia (CC BY-SA 4.0).