We Are Family

"We Are Family" is a song recorded by American vocal group Sister Sledge. Composed by Bernard Edwards and Nile Rodgers, they both offered the song to Atlantic Records; although the record label initially declined, the track was released in April 1979 as a single from the album of the same name (1979) and began to gain club and radio play, eventually becoming the group's signature song. "We Are Family" went gold, becoming the number one R&B and number two pop song on the American charts in 1979 (behind "Hot Stuff" by Donna Summer). Along with the tracks "He's the Greatest Dancer" and "Lost in Music", "We Are Family" reached number one on the Billboard Dance Club Songs. It has been re-released two times in new remixes; in 1984 and 1993. In 2017, the song was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant." Billboard magazine named the song number 20 on their list of "100 Greatest Girl Group Songs of All Time" same year. In 2023, the magazine included it in their "Best Pop Songs of All Time". Origins and meaning "We Are Family" was the first song that Nile Rodgers and Bernard Edwards wrote for any act other than their own band Chic. After their first hit, "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)", Atlantic Records President Jerry L. Greenberg wanted the pair to write and produce for other acts on the label; Rodgers and Edwards did not feel confident enough to work with big, established recording artists and performers, e.g.: The Rolling Stones, Bette Midler, etc. They also felt that if they worked as Greenberg had suggested, credit for a hit would just go to those established people, and Rodgers/Edwards would not gain proper notice as songwriter/producers. So the pair suggested that they write and produce a song for the label's least established act; if they got a hit record, then they could take the challenge of writing for someone bigger. According to Rodgers, the verses were mostly verbatim based on how Greenberg described Sister Sledge to them when first commissioning the work. Rodgers/Edwards then simply walked immediately to the studio, rearranged their notes from the meeting into lyrics, and wrote a song melody underneath them. The chorus (and therefore the title) makes reference to the fact that the group are the four sisters of a family.