Velvet Goldmine

"Velvet Goldmine" is a song by English singer-songwriter David Bowie. A glam rock number with lyrical references to oral sex, it was originally recorded on 11 November 1971 at Trident Studios in London during the sessions for his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. It was ultimately left off the album and subsequently released as a B-side (along with "Changes") of the UK re-release of "Space Oddity" in 1975. Praised by biographers as an undervalued classic, it later appeared on compilation albums, including on Re:Call 1, part of the Five Years (1969–1973) boxed set, in 2015. Its namesake was used for Todd Haynes's 1998 film of the same name. Overview David Bowie recorded "Velvet Goldmine", originally titled "He's a Goldmine", at Trident Studios in London during the sessions for his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars on 11 November 1971, the same day as "Star", "Hang On to Yourself", "Sweet Head", "Looking For a Friend" and "Ziggy Stardust". Co-produced by Bowie and Ken Scott, it featured contributions from his backing band the Spiders from Mars—guitarist Mick Ronson, bassist Trevor Bolder and drummer Woody Woodmansey. Slated for release on the album's second side as late as 15 December before it was replaced in early 1972, Bowie stating in a radio interview that it was "probably a little provocative". Musically, "Velvet Goldmine" is a glam rock number that contains a bouncy piano part and backing vocals similar to Hunky Dory (1971), while also anticipating the cabaret feel Bowie soon experimented with on Aladdin Sane. Author Peter Doggett described it as a combination of Gene Vincent's 1950s rock 'n' roll and the "electric thrust" of Marc Bolan. Lyrically, the same exhibits similar themes to "Sweet Head"; in Doggett's words, a "teen sex fantasy oozing with references to oral sex". Its title is in part a reference to the Velvet Underground. Discussing its composition, biographer Chris O'Leary highlights its "salacious" lyric ("I'll be your king volcano" and "heal ya head with my own"), the "eerie" D minor refrain and the almost spoken word backing vocals. He and AllMusic's Ned Raggett also commend Ronson's guitar solo, which was accomplished via a phaser. The song remained unreleased until 1975 when RCA Records included it—with 1971's "Changes"—as part of the "Space Oddity" maxi-single, using a new mix without Bowie's consultation.