The Emigrants (Swedish: Utvandrarna) is a 1971 Swedish drama film directed and co-written by Jan Troell, and starring Max von Sydow, Liv Ullmann, Eddie Axberg, Allan Edwall, Monica Zetterlund, and Pierre Lindstedt. It and its 1972 sequel, The New Land (Nybyggarna), which were produced concurrently, are based on Vilhelm Moberg's The Emigrants, a series of novels about poor Swedes who emigrate from Småland, Sweden, in the mid-19th century and make their home in Minnesota. This film adapts the first two of the four novels–The Emigrants (1949) and Unto a Good Land (1952)–which depict the hardships the emigrants experience in Sweden and on their journey to America.
The Emigrants won international acclaim and was nominated for the Academy Award for Best Foreign Language Film at the 44th Academy Awards. It was nominated for four more Oscars the following year, including for Best Picture, the same year that The New Land was nominated for Best Foreign Language Film. The 1974 American television series The New Land is loosely based on both The Emigrants and its sequel.
Contents
Plot
In 1844, the Nilsson family lives on a small farm in Korpamoen in Ljuder Parish in the Swedish province of Småland. Eldest son, Karl Oskar, runs the farm after his father, Nils, is injured. Karl Oskar marries Kristina Johansdotter. In the following years, Karl Oskar and Kristina have four children, Anna, Johan, Märta and Harald. The family struggles with rock-filled fields, poor weather, and bad harvests, leaving them hungry and in debt. Kristina rebukes Karl Oskar for his irreligious attitude, partially blaming it for causing their problems.
Karl Oskar's daydreaming and bookish younger brother, Robert, tired of being overworked and regularly beaten as an indentured farmhand at Aron's farm, reads about how wonderful America is and decides to emigrate. He asks Arvid, his fellow farmhand, to come with him. Arvid agrees, but their hopes are dashed upon realizing they are unable to afford passage. Robert wants to sell his share of the family farm to Karl Oskar, only to learn that Karl Oskar has also considered going to America. Despite the potential for a better life, Kristina is unenthusiastic, not wanting to leave her homeland and concerns about the arduous journey. However, when daughter Anna dies after gorging on uncooked porridge that ruptures her stomach, a devastated Kristina agrees to Karl Oskar's plan to leave Sweden.
Meanwhile, Danjel Andreasson, Kristina's uncle, is being persecuted by Brusander, the local provost, for rejecting the official religion and holding fundamentalist religious services at his home. He and his wife, Inga-Lena, and their four young children are exiled, so they join Karl Oskar in his move to America. Ulrika of Västergöhl, a former prostitute who is one of Danjel's followers, and her illegitimate sixteen-year-old daughter, Elin, also join them, and Jonas Petter, a neighbor, is interested to escape his unhappy marriage. Robert is able to persuade Danjel to hire Arvid and pay his fare. Before their departure, Kristina tells Karl Oskar she is pregnant.
The emigrants travel to Karlshamn and board the wooden brig Charlotta, bound for New York City. On board, Karl Oskar and Kristina meet Måns and Fina-Kajsa Andersson, an elderly couple heading for the Minnesota Territory to settle on their son Anders' farm near a town called Taylor's Falls. After hearing how good the land is there, Karl Oskar and Kristina decide to follow them. During the voyage, Inga-Lena and Måns Andersson die of unrelated sudden illnesses, and Kristina nearly dies from a severe nosebleed.
Production
Development
Plans for adapting The Emigrants novels began late in 1967. Its author, Vilhelm Moberg, had seen Jan Troell's film Here Is Your Life before producer Bengt Forslund approached him about an Emigrants film. SF Studios wished to adapt all four novels, although it was uncertain how such a film structure would work.
Moberg requested Forslund and Troell meet him, and the three men mapped out a plot, with 98 scenes, finishing in March 1968. They also envisioned Max von Sydow, Liv Ullmann and Eddie Axberg as the ideal stars. Troell and Forslund went location scouting in the United States in September 1968, but found many of the lands were too developed or could not accommodate film equipment.
Filming
The scenes set in Chisago Lakes were actually filmed at Lake Krageholm in Scania, Sweden. Filming took place from June 1969 to January 1970, and then from May to August 1970.
Ullmann said that for The Emigrants and The New Land, which were shot at the same time, the actors had to learn historic methods of laundry, and also that the brief scene in The Emigrants where she is on a swing took two days to film.
The film employed 20 actors and 500 extras. The combined cost of the two films was kr 7 million, making them the most expensive Swedish film produced until that time.
Release
The Emigrants was released to cinemas in Sweden on 8 March 1971. It opened in New York City on 24 September 1972. The version released in the U.S. was cut from 190 to 150 minutes by Warner Bros., who distributed the film in the United States.
In the U.S., the film was not released on home video until February 2016, when The Criterion Collection released it, along with The New Land, on DVD and Blu-ray. The films had been frequently requested by customers. In 2016, The Emigrants was also featured in the Gothenburg Film Festival.
Reception
Critical reception
The film received mostly positive reviews.
The Emigrants has an approval rating of 94% on review aggregator website Rotten Tomatoes, based on 17 reviews, and an average rating of 9/10.
Roger Ebert gave it four stars, praising it as a "masterpiece", "infinitely absorbing and moving", and likely more accurate than traditional stories about immigration to the United States. Richard Schickel wrote in Life that "Jan Troell has made the masterpiece about the dream that shaped America - a dream, and an America, fast disappearing from our views". Vincent Canby of The New York Times hailed the acting performances, especially from von Sydow and Ullmann, which he found to hold "a kind of spontaneous truth, in look and gesture, that does a lot to relieve the otherwise programed nobility, truth and beauty". However, Canby criticized Troell for excessive views of "sunlight-reflected-in-water that becomes just one too many, a thing of movie decoration". In New York, Judith Crist praised the film as "exquisite", and wrote that the depiction of history "throbs with flesh and blood". In 5001 Nights at the Movies, Pauline Kael declared the film is "A bursting, resonant work".
In his 2015 Movie Guide, Leonard Maltin gave the film three stars, calling it "Solid if rambling". Dave Kehr recalled it as overrated, calling it "Uncommitted, tedious, and often dishonest". In 2016, the Swedish journal Sydsvenskan recalled The Emigrants as a classic.
Immigration historian Roger Daniels has called the film "outstanding," as well as "arguably the finest social history in a commercial movie."
Accolades
The Emigrants was nominated for five Academy Awards, including for both Best Foreign Language Film and Best Picture. However, the academy's rules for eligibility for specific awards meant the nominations occurred in two separate years. It was the third film not in English to be nominated for Best Picture in the history of the academy.
Legacy
The sequel, The New Land (Nybyggarna), was released in 1972. The 1974 U.S. television series The New Land is based loosely on both The Emigrants and its sequel. The creation of the TV series can be attributed to the popularity of the films. In Sweden, the musical Kristina från Duvemåla by Björn Ulvaeus and Benny Andersson, formerly of ABBA fame, was designed partly in reaction to Troell's films, particularly in differences in the set. Troell also gave his approval to Daniel Espinosa to make a new Emigrants film adaptation in 2015, which was ultimately not produced. In 2021, another adaptation based on the book series was released, directed by Erik Poppe.
The two films were considered to give Jan Troell his "international breakthrough". They led to his receiving, and accepting, an offer from Warner Bros. to make Zandy's Bride, one of the first times a prominent Swedish director moved to Hollywood since the 1920s.