Taxi

Taxi (full title Jafar Panahi's Taxi; ), also known as Taxi Tehran, is a 2015 Iranian docufiction starring and directed by Jafar Panahi. The film premiered in competition at the 65th Berlin International Film Festival where it won the Golden Bear and the FIPRESCI Prize. In 2010, Panahi was banned from making films and travelling for 20 years, so his niece Hana Saeidi, who also appears in the film, collected the award on his behalf. Plot Taxi portrays director Jafar Panahi as he courses through the streets of Tehran while pretending to be a share taxi driver. He wants to hear a piece of his passengers' life and declines any payment for the services. His earliest passengers include a conservative-minded man who supports capital punishment and a woman supporting its abolition, a pirated video vendor named Omid who once lent foreign films not available in the country to Panahi, an injured man and his wife who both insist on recording a last will due to their panic, and a pair of superstitious old women wanting to release their goldfishes to a holy spring. Eventually, Panahi picks up his niece Hana at her school. She discusses film-making and wants Panahi's advice on creating a short film for a school project; her teacher has talked about several rules on creating films in Iran, including the avoidance of siahnamayi, or portraying a dark image about the country. However, Hana's teacher also stated that people should create films as they see fit. The two stop near a coffeehouse where Panahi meets with a family friend he has not seen for seven years. The latter inquires about a burglary he recently experienced and his dilemma of not informing the authorities about the thieves, whom he personally knows, as they are poor and have nothing else to lose. Meanwhile, Hana films a case of siahnamayi herself when she spots a boy who steals money from a couple of newlyweds and refuses to return them. Finally, Panahi and Hana meet with Nasrin Sotoudeh, a human rights lawyer about to see the imprisoned Ghoncheh Ghavami and possibly convince her to give up her hunger strike. While adjusting her seat, Hana stumbles upon a purse belonging to one of the old women with the goldfishes. Sotoudeh decides to leave early so Panahi can deliver the purse, but not before giving him a rose as a goodwill for filmmakers. Panahi and Hana proceed to the springs and are able to return the purse; at the same time as this happens, a pair of thieves ransack the taxi, before the film cuts off.