Steve McQueen

Steve McQueen is the second studio album by English pop band Prefab Sprout, released in June 1985 by Kitchenware Records. The album was released by CBS in the United States as Two Wheels Good in anticipation of legal conflict with the estate of American actor Steve McQueen. The album cover references Steve McQueen's lifelong passion for Triumph motorcycles and the 1963 film The Great Escape. The album released to highly positive reviews from critics and was a modest commercial success, reaching number 21 in the United Kingdom. Four singles from the album entered top 100 of the UK Singles Chart, with "When Love Breaks Down" reaching the top 30. Retrospectively, Steve McQueen has received lasting critical acclaim, widely credited as an indie pop benchmark and ranked by many British publications among the greatest albums of all time. On 2 April 2007, it was reissued as a "legacy edition" double CD, featuring a remastered version of the original album and a bonus disc featuring acoustic versions of the songs recorded in 2006 by the band's frontman, Paddy McAloon. Recording On an episode of the BBC Radio 1 programme Roundtable, musician and producer Thomas Dolby, a panelist on the programme, spoke favourably of Prefab Sprout's "Don't Sing", a track from their 1984 album Swoon. The band subsequently contacted Dolby, who met with frontman and songwriter Paddy McAloon in the latter's County Durham home. McAloon presented Dolby with a number of songs he had written, "probably 40 or 50" by Dolby's estimate, some written as far back as 10 to 12 years prior. Dolby then picked his favourites and asked McAloon to make demo recordings of them; these recordings served as the basis for Dolby's initial process of planning the album's recording. In the autumn of 1984, Dolby and Prefab Sprout began working on the album's songs in rehearsals at Nomis Studios in West London, after which they moved to Marcus Studios for proper recording. The sessions were amicable, with the band being respectful of Dolby's edge over them in recording and musical experience, and Dolby keeping into account the band's wishes, knowing that McAloon "wouldn't want to be diluted" by Dolby's additions to the album. Subsequent mixing was carried out at Farmyard Studios in Buckinghamshire.