Steve Jobs

Steve Jobs: Original Motion Picture Soundtrack is the soundtrack album to the 2015 film Steve Jobs, directed by Danny Boyle and written by Aaron Sorkin, based on the life of Apple Inc. co-founder Steve Jobs. Daniel Pemberton composed the film score in his maiden collaboration with Boyle. He split the score into three parts: analog, orchestral and digital, and had blended electronic and orchestral score as the film takes place during 1984–1998. Apart from Pemberton's score, the soundtrack album also features songs by The Libertines, Bob Dylan and The Maccabees. It was released digitally on October 9, 2015, followed by a physical release on October 23, by Back Lot Music. A two-disc vinyl set was released on February 5, 2016. The soundtrack received positive response from critics, praising Pemberton's instrumentation and musical approach, and received a nomination at the 73rd Golden Globe Awards for Best Original Score. Background Similar to the film's visual approach, the score is divided into three distinguishable sections revolving around, corresponding to the intended feel of the act in which the section is heard. Pemberton said that the first act consists of analog, the second act being orchestral and the third act which is digital. For the first act's composition, Pemberton primarily used analog synthesizers, in particular ones released no later than 1984 – the time the first act takes place – such as the Roland SH-1000 and Yamaha CS-80. According to Pemberton, in that period, "synthesizers reflected an optimism and futuristic feel" while also becoming "nostalgic". While scoring for that segment, Pemberton experienced few drawbacks, as he could only record one note at a time, and need to play everything by hand, and if the ancient synthesisers "get cold or being heated, it might go out of tune". The second act's score is more classical and operatic in nature, matching the setting of the San Francisco Opera House. He called the setting as "the most difficult" as Boyle sent him proposed notes during filming, and had to write 10-minute symphony (which was later entitled as "Revenge") for multiple instances. Pemberton recorded lengthy orchestral pieces, inspired from Gioachino Rossini and Giuseppe Verdi's compositions, with arias in Italian.