Overview
Scott Richard Johnson (May 12, 1952 – March 24, 2023) was an American composer known for his pioneering use of recorded speech as musical melody, and his distinctive crossing of American vernacular and art music traditions, making extensive use of electric guitar in concert works, and adapting popular music structures for art music genres such as the string quartet. He was the recipient of a 2006 Guggenheim fellowship, and a 2015 American Academy of Arts and Letters Award.
Education and background
Composer Scott Johnson was born on May 12, 1952, in Madison, Wisconsin. He graduated from the University of Wisconsin in Madison, majoring in visual arts, and dividing his time between visual arts and music. In 1975 he moved to New York City and became involved in the thriving art scene in downtown Manhattan. He initially focused on the visual arts, including sculpture, performance, and installation art, with shows at Artists Space and The Franklin Furnace. He also began to play guitar in other people's projects, working with such artists as Laurie Anderson and Rhys Chatham. Eventually his increasing use of manipulated audiotape in his performance and installation work led to a re-engagement with music, and he began to perform his own compositions at venues including The Kitchen, the premier avant-garde music, dance, and performance art space of the time.
John Somebody and early work
Johnson's 1982 work John Somebody for electric guitar and recorded speech is an early example of speech melody framed in tonal harmony. It is the first instance of an instrumental score based on the melodies of spoken phrases, and used as an accompaniment to those recorded phrases. It is named for the opening tape loop of a single female voice, repeating these phrases, which are then imitated by layered guitars:
You know who's in New York?
You remember that guy... J-John somebody?
He was a-- he was sort of a--...
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