Overview
Privilege is a 1967 British comedy-drama music science fiction film directed by Peter Watkins and produced by John Heyman. Johnny Speight wrote the story, and Norman Bogner wrote the script. Some of it was filmed on location in Birmingham, England, partly at Birmingham City F.C.'s St Andrew's stadium and at Birmingham Town Hall.
Plot
The story is presented as a narrated documentary, set in a near-future 1970s England, and concerning a disillusioned pop singer, Steven Shorter (Paul Jones), who is the most loved celebrity in the country. His stage show involves him appearing on stage in a jail cell with handcuffs, beaten by police, to the horror and sympathy of the audience. It is described that the two main parties of England have formed a coalition government and encourage the success of Shorter to placate the masses and divert them from political activity. Shorter is consistently monitored and manipulated by handlers consisting of manager Martin Crossley (Jeremy Child), public relations representative Alvin Kirsch (Mark London), record company executive Julie Jordan (Max Bacon), and financial backer Andrew Butler (William Job). Businesses including nightclubs, shopping centers, product brands, and media outlets, carry Shorter's name, demonstrating his appeal to consumers. An artist, Vanessa Ritchie (Jean Shrimpton) has been hired to paint his portrait, and Shorter gravitates to her amidst his loneliness and isolation.
Demands upon Shorter's time and energy increases. He is asked to film a commercial for the country's apple growers, hoping to convince citizens to eat a disproportionately large amount of apples to make up for a surplus supply. More ominously, the collective churches of England strike an arrangement with the government and Shorter's empire to turn him into a messianic leader that will boost church attendance and a sense of national unity. An image change is announced in advance of a huge stadium concert, where he will publicly "repent," no longer perform in handcuffs, and will espouse religious themes in his songs. Shorter's equilibrium becomes more shaky; at a picnic where lobster is served, he absurdly orders hot chocolate to drink, and everyone present in turn orders hot chocolate as well, demonstrating he will be enabled at all times.
The stadium rally has a record attendance, and features militarized performance from various nationalist organizations.
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