marfa

The Marfa is a form of celebratory rhythmic music and dance from Hyderabad, India, among the Hyderabadi Muslims, adapted from Afro-Arab music of Hadhramawt in Yemen. It is played at a high tempo using instruments such as marfa, daff, dhol, sticks, steel pots and wooden strips called thapi. The chorus effects and vocal meter are set according to beats. It was introduced during 18th century in Hyderabad State by the East African Siddi community, who used to serve as cavalry guards in Asaf Jahi Nizams irregular army. Asaf Jahi Nizams patronized marfa music and it was performed during official celebrations and ceremonies as they also claimed Arab ancestry from the first Caliph Abu Bakr Siddique through the Bayafandi Clan of Asir province in Arabia. It became popular in India, particularly in Hyderabad state. It was brought there by the diaspora of Siddis and Hadhramis. The associated marfa dance is typically performed with janbiya daggers and/or talwars (swords) and latts (canes), and is likely to have been derived from the Bar'a dance of Yemen. Origin Marfa is a Yemeni Arabic word used for the kettledrum. Due to the Hadhrami people's influence on the culture of the Ethiopian Siddis, the word marfa became a symbol of the music played using the kettledrum. Kettledrums are replaced with Handi kettledrums in the Siddi form of marfa music played in Hyderabad, India.