London

London is a poem by Samuel Johnson, produced shortly after he moved to London. Written in 1738, it was his first major published work. The poem in 263 lines imitates Juvenal's Third Satire, expressed by the character of Thales as he decides to leave London for Wales. Johnson imitated Juvenal because of his fondness for the Roman poet and he was following a popular 18th-century trend of Augustan poets headed by Alexander Pope that favoured imitations of classical poets, especially for young poets in their first ventures into published verse. London was published anonymously and in multiple editions during 1738. It quickly received critical praise, notably from Pope. This would be the second time that Pope praised one of Johnson's poems; the first being for Messiah, Johnson's Latin translation of Pope's poem. Part of that praise comes from the political basis of the poem. From a modern view, the poem is outshined by Johnson's later poem The Vanity of Human Wishes, as well as works like his A Dictionary of the English Language, his Lives of the Most Eminent English Poets, and his periodical essays for The Rambler, The Idler and The Adventurer. Background During March 1737, Johnson lived in London with his former pupil the actor David Garrick. Garrick had connections in London, and the two stayed with his distant relative, Richard Norris, who lived in Exeter Street. Johnson did not stay there long, and set out to Greenwich near the Golden Hart Tavern to finish his play, Irene. Later, in October 1737, Johnson brought his wife to London; they first lived at Woodstock Street and then moved to 6 Castle Street. Soon, Johnson found employment with Edward Cave, and wrote for his The Gentleman's Magazine. According to Walter Jackson Bate, his work for the magazine and other publishers "is almost unparalleled in range and variety", and "so numerous, so varied and scattered" that "Johnson himself could not make a complete list". During this time, Johnson was exposed to the "imitations" of Horace composed by Pope and saw how they were used to attack contemporary political corruption. Both the form and subject were popular, and Johnson decided to follow Pope's lead by creating his own imitation.