Little Big Man

Little Big Man is a 1964 novel by American author Thomas Berger. Often described as a satire or parody of the western genre, the book is a modern example of picaresque fiction. Berger made use of a large volume of overlooked first-person primary materials, such as diaries, letters, and memoirs, to fashion a wide-ranging and entertaining tale that comments on alienation, identity, and perceptions of reality. Easily Berger's best known work, Little Big Man was made into a popular 1970 film by Arthur Penn. It has been called "Berger's response to the great American myth of the frontier, representing as it does most of the central traditions of American literature." Plot The novel is structured as a recorded narrative of the purported exploits of 111-year-old Jack Crabb, a white male who was raised by the Cheyenne nation, as he describes his wanderings across the nineteenth-century American West to Ralph Fielding Snell, a somewhat gullible "Man of Letters." Though unknown to conventional history, Crabb has supposedly crossed paths with many of the West's notable figures, including Wild Bill Hickok, Wyatt Earp, Buffalo Bill, and George Armstrong Custer. At various times captured, rescued, escaped, and returned to or from both white and Native American societies of the time, Crabb also claims to be the "sole white survivor" of the Battle of the Little Bighorn. Characters Jack Crabb Old Lodge Skins Mrs. Pendrake Rev. Silas Pendrake Allardyce T. Meriweather Gen. George Armstrong Custer Wild Bill Hickok Olga Burns Red in the Sun Younger Bear Sunshine Shadow That Comes in Sight Caroline Crabb Amelia Ralph Fielding Snell, "Man of Letters" Buffalo Wallow Woman Little Horse Digging Bear, Little Elk, and Corn Woman Amanda Teasdale Major themes As Berger's protagonist ventures back and forth between the Plains Indians and the whites, he finds himself at home in neither culture. Similarly, as Jack's roles vary over the course of his wanderings, from Cheyenne warrior to Army scout to small-time huckster, etc., so does the style of the narrative, as Berger draws on the great variety of themes found in the Western genre.