Jane Greer

Jane Greer (born 1953) is an American poet. She founded Plains Poetry Journal, a quarterly literary magazine that was an advance guard of the New Formalism movement, in 1981, and edited it until 1993. Her poetry collections include Bathsheba on the Third Day (1986) and Love like a Conflagration (2020). Plains Poetry Journal In 1981, Greer founded Plains Poetry Journal, a quarterly literary magazine that was an advance guard of the New Formalism movement. In her "Editorial Manifesto," Greer wrote: "Through history, the best poetry has used certain conventions: meter, rhyme, alliteration, assonance, painstaking attention to diction. Not all good poems use all of these conventions, but if a poem uses none of them, why call it a poem?" She decried the sort of conversational free verse "that reads like random thoughts randomly written," and wrote, "All these attempts at unfettered individuality sound alike." In 1984, Writer's Digest named Plains Poetry Journal the "#1 Non-paying U.S. Poetry Magazine." Greer edited Plains Poetry Journal until 1993. 1980s–1990s In the 1980s and early 1990s, Greer's poems appeared in the anthologies A Formal Feeling Comes, edited by Annie Finch, and A Garland for Harry Duncan, edited by W. Thomas Taylor, and in many journals, including Yale Literary Magazine, First Things, America, and Chronicles. For Chronicles she also wrote the monthly "Letters from the Heartland" column. Her ideas about poetics and esthetics are elaborated in a short essay, "Art Is Made," in A Formal Feeling Comes. Bathsheba on the Third Day (1986) In 1986, Greer's first poetry collection, Bathsheba on the Third Day, was released in a limited hardcover edition of three hundred copies hand-typeset and hand-printed by Harry Duncan at The Cummington Press.