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James Coleman (born 1941) is an Irish installation and video artist associated with slide-tape works: sequences of still images fading one into the other with synchronized sound. Often, social situations are depicted with a precision which, paradoxically, creates a narrative ambiguity. There is often a focus in his works on how time can warp subjective experience, and how this subjectivity is indispensable to an understanding of how the photographic image accrues meaning.
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