In the Cut

In the Cut is a 1995 thriller novel by American writer Susanna Moore. The plot follows an English teacher at New York University who becomes entangled in a sexual relationship with a detective investigating a series of gruesome murders in her neighborhood. The novel was adapted into a feature film of the same name in 2003 by director Jane Campion. Plot Frannie Avery is an English teacher living near Washington Square Park in lower Manhattan. She is studying street vernacular for an upcoming book she is working on. While meeting with one of her students, Cornelius, at a bar, she goes downstairs to use the bathroom, and stumbles upon a man receiving oral sex from a woman. She notes two minor details: A spade tattoo on the man's wrist, and the woman's painted fingernails, but most of the scene is obscured in shadow. Several days later, Frannie is contacted by a police detective, Giovanni Malloy, about the murder of a woman who was last seen at the bar on the same day Frannie was there. Frannie infers that the victim must be the woman she saw in the basement. Frannie and Malloy are flirtatious from the outset, and, over drinks, he expresses his willingness to "do anything but hit her." While walking home alone after their date, Frannie is assaulted by a man on the street, but he flees before she can see him. After, she and Malloy have a passionate sexual encounter at her apartment, but Frannie is suspicious of him when she realizes he has a matching spade tattoo on his wrist. Frannie confides in her half-sister, Pauline, with whom she has a close relationship. Frannie's romantic and sexual interest in the hard-edged Malloy further deepens, though she is not as welcoming toward his partner, Detective Rodriguez, a man she learns has abused his wife; this reminds her of the dysfunctional relationship her parents had, which was marked by abuse from her father. As she observes the two men together, she finds herself alternately repulsed by their crude behavior, but nonetheless becomes enamored of Malloy. After additional murders occur in Frannie's neighborhood — exclusively decapitations and dismemberments (which Malloy refers to as 'disarticulations') of young women — she grows fascinated by Malloy's investigation.