Person

Francis Bacon

Not who you're looking for? Others named Francis Bacon: English philosopher and statesman (1561–1626) · English cricketer (1869-1915) · 17th-century English politician · English judge

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Overview

Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. Rejecting various classifications of his work, Bacon said he strove to render "the brutality of fact." He built up a reputation as one of the giants of contemporary art with his unique style. Bacon said that he saw images "in series", and his work, which numbers in the region of 590 extant paintings along with many others he destroyed, typically focused on a single subject for sustained periods, often in triptych or diptych formats. His output can be broadly described as sequences or variations on single motifs; including the 1930s Picasso-influenced bio-morphs and Furies, the 1940s male heads isolated in rooms or geometric structures, the 1950s "screaming popes," the mid-to-late 1950s animals and lone figures, the early 1960s crucifixions, the mid-to-late 1960s portraits of friends, the 1970s self-portraits, and the cooler, more technical 1980s paintings. Bacon did not begin to paint until his late twenties, having drifted in the late 1920s and early 1930s as an interior decorator, bon vivant and gambler. He said that his artistic career was delayed because he spent too long looking for subject matter that could sustain his interest. His breakthrough came with the 1944 triptych Three Studies for Figures at the Base of a Crucifixion, which sealed his reputation as a uniquely bleak chronicler of the human condition. From the mid-1960s he mainly produced portraits of friends and drinking companions, either as single, diptych or triptych panels. Following the suicide of his lover George Dyer in 1971 (memorialised in his Black Triptychs, and a number of posthumous portraits) his art became more sombre, inward-looking and preoccupied with the passage of time and death. The climax of his later period is marked by the masterpieces Study for Self-Portrait (1982) and Study for a Self-Portrait—Triptych, 1985–86. Despite his existentialist and bleak outlook, Bacon was charismatic, articulate and well-read.

From Wikipedia (CC BY-SA 4.0).

Notable quotes

“The monuments of wit survive the monuments of power.”
— Essex's Device (1595)
“When you wander, as you often delight to do, you wander indeed, and give never such satisfaction as the curious time requires. This is not caused by any natural defect, but first for want of election, when you, having a large and fruitful mind, should not so much labour what to speak as to find what to leave unspoken. Rich soils are often to be weeded.”
— Letter of Expostulation to Coke, reported in Bartlett's Familiar Quotations, 10th ed. (1919)
“The obliteration of the evil hath been practised by two means, some kind of redemption or expiation of that which is past, and an inception or account de novo for the time to come. But this part seemeth sacred and religious, and justly; for all good moral philosophy (as was said) is but a handmaid to religion.”
— Book II, xxii, 14
“The cause and root of nearly all evils in the sciences is this — that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.”
— Aphorism 9
“Let men learn (as we have said above) the difference that exists between the idols of the human mind, and the ideas of the Divine mind. The former are mere arbitrary abstractions; the latter the true marks of the Creator on his creatures, as they are imprinted on, and defined in matter, by true and exquisite touches. Truth, therefore, and utility are here perfectly identical.”
— Aphorism 124
“Books must follow sciences, and not sciences books.”
— Proposition touching Amendment of Laws

Quotes via Wikiquote (CC BY-SA), each with its original source.

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Not who you're looking for? Others named Francis Bacon: English philosopher and statesman (1561–1626) · English cricketer (1869-1915) · 17th-century English politician · English judge

Notable quotes

“The monuments of wit survive the monuments of power.”
— Essex's Device (1595)
“When you wander, as you often delight to do, you wander indeed, and give never such satisfaction as the curious time requires. This is not caused by any natural defect, but first for want of election, when you, having a large and fruitful mind, should not so much labour what to speak as to find what to leave unspoken. Rich soils are often to be weeded.”
— Letter of Expostulation to Coke, reported in Bartlett's Familiar Quotations, 10th ed. (1919)
“The obliteration of the evil hath been practised by two means, some kind of redemption or expiation of that which is past, and an inception or account de novo for the time to come. But this part seemeth sacred and religious, and justly; for all good moral philosophy (as was said) is but a handmaid to religion.”
— Book II, xxii, 14
“The cause and root of nearly all evils in the sciences is this — that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.”
— Aphorism 9
“Let men learn (as we have said above) the difference that exists between the idols of the human mind, and the ideas of the Divine mind. The former are mere arbitrary abstractions; the latter the true marks of the Creator on his creatures, as they are imprinted on, and defined in matter, by true and exquisite touches. Truth, therefore, and utility are here perfectly identical.”
— Aphorism 124
“Books must follow sciences, and not sciences books.”
— Proposition touching Amendment of Laws

Quotes via Wikiquote (CC BY-SA), each with its original source.

Overview

Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. Rejecting various classifications of his work, Bacon said he strove to render "the brutality of fact." He built up a reputation as one of the giants of contemporary art with his unique style. Bacon said that he saw images "in series", and his work, which numbers in the region of 590 extant paintings along with many others he destroyed, typically focused on a single subject for sustained periods, often in triptych or diptych formats. His output can be broadly described as sequences or variations on single motifs; including the 1930s Picasso-influenced bio-morphs and Furies, the 1940s male heads isolated in rooms or geometric structures, the 1950s "screaming popes," the mid-to-late 1950s animals and lone figures, the early 1960s crucifixions, the mid-to-late 1960s portraits of friends, the 1970s self-portraits, and the cooler, more technical 1980s paintings. Bacon did not begin to paint until his late twenties, having drifted in the late 1920s and early 1930s as an interior decorator, bon vivant and gambler. He said that his artistic career was delayed because he spent too long looking for subject matter that could sustain his interest. His breakthrough came with the 1944 triptych Three Studies for Figures at the Base of a Crucifixion, which sealed his reputation as a uniquely bleak chronicler of the human condition. From the mid-1960s he mainly produced portraits of friends and drinking companions, either as single, diptych or triptych panels. Following the suicide of his lover George Dyer in 1971 (memorialised in his Black Triptychs, and a number of posthumous portraits) his art became more sombre, inward-looking and preoccupied with the passage of time and death. The climax of his later period is marked by the masterpieces Study for Self-Portrait (1982) and Study for a Self-Portrait—Triptych, 1985–86. Despite his existentialist and bleak outlook, Bacon was charismatic, articulate and well-read.

From Wikipedia (CC BY-SA 4.0).