Overview
Far Cry is the third album by jazz musician Eric Dolphy, released in 1962 on New Jazz (a subsidiary of the Prestige label.) Featuring a quintet co-led with trumpeter Booker Little, it is one of the few recordings of their partnership. Pianist Jaki Byard, bassist Ron Carter and drummer Roy Haynes all return from earlier Dolphy albums. This was a busy time for Dolphy- he took part in Ornette Coleman's Free Jazz session and recorded this album on the same day, and had participated in the Jazz Abstractions ("John Lewis Presents Contemporary Music: Compositions by Gunther Schuller and Jim Hall") project the previous day.
Content
The entire first side presents a suite to Charlie Parker. "Mrs. Parker of K.C. (Bird's Mother)" and "Ode to Charlie Parker," both composed by pianist Jaki Byard, are respectively dedicated to Addie, Charlie Parker's mother, and a tribute to Parker. "Far Cry," composed by Dolphy, is also a tribute to Parker (the melody is identical to "Out There"), while "Miss Ann" is a musical portrait of a girl whom Dolphy knew at the time. Pianist Mal Waldron, who would be in Dolphy's touring band during 1961, composed the tribute to Billie Holiday "Left Alone." The album also includes two standards among the originals, "Tenderly" and "It's Magic." Little only appears on "Miss Ann" during side two, and "Tenderly" is Dolphy unaccompanied on alto saxophone.
The album was reissued on Fantasy Records in 20-bit resolution on August 20, 2002. A bonus track of Eric Dolphy's "Serene," re-recorded at these sessions and previously recorded for his album Out There, was included.
Reception
In a review for AllMusic, Al Campbell wrote: "Charlie Parker's influence permeates this 1960 session. Beyond the obvious acknowledgment on song titles... his restless spirit is utilized as a guiding light for breaking bebop molds... Far Cry finds... Dolphy in a transitional phase, relinquishing Parker's governing universal impact and diving into the next controversial phase...'" Similarly, Stuart Nicholson wrote: "as this album shows, his highly sophisticated style evolved out of bebop and Charlie Parker and was not devised in opposition to it, as many critics at the time thought." He called "Tenderly" "a minor masterpiece, anticipating virtually every technical and structural device on Anthony Braxton’s 'For Alto'." Writing for All About Jazz, C.
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