Topic

Enya

Not who you're looking for? Others named Enya: Irish singer (born 1961) · language

0 members

Overview

Enya is the debut studio album by Irish singer, songwriter, and musician Enya, released in March 1987 by BBC Records in the UK and by Atlantic Records in the US. It was renamed as The Celts for the 1992 international re-release of the album by WEA Records in Europe and by Reprise Records in the US. The album features a selection of music that she recorded for the soundtrack to The Celts, a BBC documentary series about the origins, growth, and influence of Celtic culture. Four years into her largely unnoticed solo career, Enya landed her first major project in 1985 when producer Tony McAuley asked her to contribute a song for the project. It was well received by director David Richardson, who subsequently offered her to compose for the entire series. Enya worked with her longtime recording partners, producer and arranger Nicky Ryan and his wife, lyricist Roma Ryan. Several track titles are titled or based on various historical and mythological figures and stories associated with the Celts, and established Enya's sound of keyboard-oriented music and layered vocals. "Boadicea" has been sampled by various artists, most notably in 1996 by The Fugees and in 2004 by Mario Winans with P. Diddy. Enya received mostly mixed reviews from critics when it was initially released. It was commercial success in Ireland, peaking at No. 8, and No. 69 on the UK Albums Chart. "I Want Tomorrow" and "The Celts" were released as singles; the latter went to No. 29 in the UK. The album caught the attention of Warner chairman Rob Dickins, who signed Enya to the label. After the commercial success of her next two albums, Enya was reissued as The Celts and outperformed its original sales; it went to No. 10 in the UK and was certified Platinum in the UK and the US. In 2009, The Celts was reissued in Japan with a bonus track. Background and recording Following her work on the soundtrack to the romantic comedy film The Frog Prince (1984), Enya's first major project as a solo artist followed when, in 1985, she was invited by producer Tony McAuley to compose a track for his 1987 BBC television documentary series The Celts. As a coincidence, Enya had recorded a track named "March of the Celts" before she was asked to be involved, and decided to submit it to the project. Initially, each episode of the series was to feature a different composer, but series director David Richardson liked Enya's track so much, he commissioned her to compose the entire score.

From Wikipedia (CC BY-SA 4.0).

Notable quotes

“I think they find it — they find me quite confusing, because — they know the music, but they don't know anything about me ... because I keep a very private lifestyle so they end up ... making up stories as such. But I don't really concern myself too much about them.”
— On the music press
“Saol na saol, tús go deireadh. Tá muid beo go deo.”
— English translation: Life of lives, beginning to the end. We are alive forever.
“Enya never writes a bad melody. That's first and foremost her secret. As she goes along, she'll start changing the dynamics, pushing here and there so that not everything is perfectly in unison. It adds a texture you can acquire only from having different voices. The variations lead to interesting quirks. It's an integral part of the Enya sound.”
— Nicky Ryan
“Enya knew nothing about recording, about production or arrangements. Originally, we were stock-piling music and just letting her get on with it. There was no name on the music she was writing. All I knew was that hard work succeeded.”
— Nicky Ryan
“Enya and her team record and we stay in touch until there is something for me to listen to. I then provide an outside view. She is a genius in the studio, comparable to somebody like Brian Wilson, but she and Nicky can be their own worst enemies at striving for personal best all the time. I guess that's the price of perfectionism.”
— Rob Dickins
“You tend to behave yourself in her company. Make even a small joke about her songs and she gets angry. And she does have a peculiar effect on men. I've watched normally sane journalists waxing metaphysical when they meet her.”
— Rob Dickins

Quotes via Wikiquote (CC BY-SA), each with its original source.

On IJR

No public IJR answers mention Enya yet. As people ask about it and share their answers, they'll appear here.

Not who you're looking for? Others named Enya: Irish singer (born 1961) · language

Notable quotes

“I think they find it — they find me quite confusing, because — they know the music, but they don't know anything about me ... because I keep a very private lifestyle so they end up ... making up stories as such. But I don't really concern myself too much about them.”
— On the music press
“Saol na saol, tús go deireadh. Tá muid beo go deo.”
— English translation: Life of lives, beginning to the end. We are alive forever.
“Enya never writes a bad melody. That's first and foremost her secret. As she goes along, she'll start changing the dynamics, pushing here and there so that not everything is perfectly in unison. It adds a texture you can acquire only from having different voices. The variations lead to interesting quirks. It's an integral part of the Enya sound.”
— Nicky Ryan
“Enya knew nothing about recording, about production or arrangements. Originally, we were stock-piling music and just letting her get on with it. There was no name on the music she was writing. All I knew was that hard work succeeded.”
— Nicky Ryan
“Enya and her team record and we stay in touch until there is something for me to listen to. I then provide an outside view. She is a genius in the studio, comparable to somebody like Brian Wilson, but she and Nicky can be their own worst enemies at striving for personal best all the time. I guess that's the price of perfectionism.”
— Rob Dickins
“You tend to behave yourself in her company. Make even a small joke about her songs and she gets angry. And she does have a peculiar effect on men. I've watched normally sane journalists waxing metaphysical when they meet her.”
— Rob Dickins

Quotes via Wikiquote (CC BY-SA), each with its original source.

Overview

Enya is the debut studio album by Irish singer, songwriter, and musician Enya, released in March 1987 by BBC Records in the UK and by Atlantic Records in the US. It was renamed as The Celts for the 1992 international re-release of the album by WEA Records in Europe and by Reprise Records in the US. The album features a selection of music that she recorded for the soundtrack to The Celts, a BBC documentary series about the origins, growth, and influence of Celtic culture. Four years into her largely unnoticed solo career, Enya landed her first major project in 1985 when producer Tony McAuley asked her to contribute a song for the project. It was well received by director David Richardson, who subsequently offered her to compose for the entire series. Enya worked with her longtime recording partners, producer and arranger Nicky Ryan and his wife, lyricist Roma Ryan. Several track titles are titled or based on various historical and mythological figures and stories associated with the Celts, and established Enya's sound of keyboard-oriented music and layered vocals. "Boadicea" has been sampled by various artists, most notably in 1996 by The Fugees and in 2004 by Mario Winans with P. Diddy. Enya received mostly mixed reviews from critics when it was initially released. It was commercial success in Ireland, peaking at No. 8, and No. 69 on the UK Albums Chart. "I Want Tomorrow" and "The Celts" were released as singles; the latter went to No. 29 in the UK. The album caught the attention of Warner chairman Rob Dickins, who signed Enya to the label. After the commercial success of her next two albums, Enya was reissued as The Celts and outperformed its original sales; it went to No. 10 in the UK and was certified Platinum in the UK and the US. In 2009, The Celts was reissued in Japan with a bonus track. Background and recording Following her work on the soundtrack to the romantic comedy film The Frog Prince (1984), Enya's first major project as a solo artist followed when, in 1985, she was invited by producer Tony McAuley to compose a track for his 1987 BBC television documentary series The Celts. As a coincidence, Enya had recorded a track named "March of the Celts" before she was asked to be involved, and decided to submit it to the project. Initially, each episode of the series was to feature a different composer, but series director David Richardson liked Enya's track so much, he commissioned her to compose the entire score.

From Wikipedia (CC BY-SA 4.0).