Denys Arcand

Georges-Henri Denys Arcand (; born June 25, 1941) is a French Canadian film director, screenwriter and producer. His film The Barbarian Invasions won the Academy Award for Best Foreign Film in 2004. His films have also been nominated three further times, including two nominations in the same category for The Decline of the American Empire in 1986 and Jesus of Montreal in 1989, becoming the only French-Canadian director in history whose films have received this number of nominations and, subsequently, to have a film win the award. For The Barbarian Invasions, he received an Academy Award nomination for Best Original Screenplay, losing to Sofia Coppola for Lost in Translation. During his four decades career, he became the most internationally recognized director from Quebec, winning several awards from the Cannes Film Festival, including the Best Screenplay Award, the Jury Prize, and many other prestigious awards worldwide. He won three César Awards in 2004 for The Barbarian Invasions: Best Director, Best Original Screenplay and Best Film, the only Canadian director to have done so. Early life Arcand was born in Deschambault, Quebec, Canada. He grew up in a devoutly Roman Catholic home in a village about 40 km southwest of Quebec City. He attended Jesuit school for nine years. Entering his teen years, the family moved to Montreal and although he dreamed about being a professional tennis player, while studying for a master's degree in history at the Université de Montréal he became involved in film making, which gave him a new sense of direction. Career In 1963, he joined the National Film Board of Canada where he produced several award-winning documentaries in his native French language. A social activist, he made a feature-length documentary in 1970 titled Cotton Mill, Treadmill (On est au coton) that showed the exploitation of textile workers. The film caused an uproar that resulted in it not being distributed publicly for several years. Arcand received such publicity that it gave his fledgling career a great boost. He also worked on some television series, notably Duplessis, a historical work he wrote (but did not direct) about Premier Maurice Duplessis.