black

Etymology

The word black comes from Old English blæc ("black, dark", also, "ink"), from Proto-Germanic *blakkaz ("burned"), from Proto-Indo-European *bhleg- ("to burn, gleam, shine, flash"), from base *bhel- ("to shine"), related to Old Saxon blak ("ink"), Old High German blach ("black"), Old Norse blakkr ("dark"), Dutch blaken ("to burn"), and Swedish bläck ("ink"). More distant cognates include Latin flagrare ("to blaze, glow, burn"), and Ancient Greek phlegein ("to burn, scorch"). The Ancient Greeks sometimes used the same word to name different colors, if they had the same intensity. Kuanos could mean both dark blue and black. The Ancient Romans had two words for black: ater was a flat, dull black, while niger was a brilliant, saturated black. Ater has vanished from the vocabulary, but niger was the source of the country name Nigeria, the English word Negro, and the word for "black" in most modern Romance languages (French: noir; Spanish and Portuguese: negro; Italian: nero; Romanian: negru).

Old High German also had two words for black: swartz for dull black and blach for a luminous black. These are paralleled in Middle English by the terms swart for dull black and blaek for luminous black. Swart still survives as the word swarthy, while blaek became the modern English black. The former is cognate with the words used for black in most modern Germanic languages aside from English (German: schwarz, Dutch: zwart, Swedish: svart, Danish: sort, Icelandic: svartr). In heraldry, the word used for the black color is sable, named for the black fur of the sable, an animal.

Art

Prehistoric

Black was one of the first colors used in art. The Lascaux Cave in France contains drawings of bulls and other animals drawn by paleolithic artists between 18,000 and 17,000 years ago. They began by using charcoal, and later achieved darker pigments by burning bones or grinding a powder of manganese oxide.

Ancient

For the ancient Egyptians, black had positive associations; being the color of fertility and the rich black soil flooded by the Nile. It was the color of Anubis, the god of the underworld, who took the form of a black jackal, and offered protection against evil to the dead. To ancient Greeks, black represented the underworld, separated from the living by the river Acheron, whose water ran black. Those who had committed the worst sins were sent to Tartarus, the deepest and darkest level. In the center was the palace of Hades, the king of the underworld, where he was seated upon a black ebony throne. Black was one of the most important colors used by ancient Greek artists. In the 6th century BC, they began making black-figure pottery and later red figure pottery, using a highly original technique. In black-figure pottery, the artist would paint figures with a glossy clay slip on a red clay pot. When the pot was fired, the figures painted with the slip would turn black, against a red background. Later they reversed the process, painting the spaces between the figures with slip. This created magnificent red figures against a glossy black background.

In the social hierarchy of ancient Rome, purple was reserved for the emperor; red was the color worn by soldiers (red cloaks for the officers, red tunics for the soldiers); white the color worn by the priests, and black was worn by craftsmen and artisans. The black they wore was not deep and rich; the vegetable dyes used to make black were not solid or lasting, so the blacks often faded to gray or brown.

In Latin, the word for black, ater and to darken, atere, were associated with cruelty, brutality and evil. They were the root of the English words "atrocious" and "atrocity". For the Romans, black symbolized death and mourning. In the 2nd century BC Roman magistrates wore a dark toga, called a toga pulla, to funeral ceremonies. Later, under the Empire, the family of the deceased also wore dark colors for a long period; then, after a banquet to mark the end of mourning, exchanged the black for a white toga. In Roman poetry, death was called the hora nigra, the black hour.

The German and Scandinavian peoples worshipped their own goddess of the night, Nótt, who crossed the sky in a chariot drawn by a black horse. They also feared Hel, the goddess of the kingdom of the dead, whose skin was black on one side and red on the other. They also held sacred the raven. They believed that Odin, the king of the Nordic pantheon, had two black ravens, Huginn and Muninn, who served as his agents, traveling the world for him, watching and listening.

Postclassical

In the early Middle Ages, black was commonly associated with darkness and evil. In Medieval paintings, the devil was usually depicted as having human form, but with wings and black skin or hair.

In fashion, black did not have the prestige of red, the color of the nobility. It was worn by Benedictine monks as a sign of humility and penitence. In the 12th century a famous theological dispute broke out between the Cistercian monks, who wore white, and the Benedictines, who wore black. A Benedictine abbot, Pierre the Venerable, accused the Cistercians of excessive pride in wearing white instead of black. Saint Bernard of Clairvaux, the founder of the Cistercians responded that black was the color of the devil, hell, "of death and sin", while white represented "purity, innocence and all the virtues".

Black symbolized both power and secrecy in the medieval world. The emblem of the Holy Roman Empire of Germany was a black eagle. The black knight in the poetry of the Middle Ages was an enigmatic figure, hiding his identity, usually wrapped in secrecy.

Black ink, invented in China, was traditionally used in the Middle Ages for writing, for the simple reason that black was the darkest color and therefore provided the greatest contrast with white paper or parchment, making it the easiest color to read. It became even more important in the 15th century, with the invention of printing. A new kind of ink, printer's ink, was created out of soot, turpentine and walnut oil. The new ink made it possible to spread ideas to a mass audience through printed books, and to popularize art through black and white prints. Because of its contrast and clarity, black ink on white paper continued to be the standard for printing books, newspapers and documents; and for the same reason black text on a white background is the most common format used on computer screens.

In the early Middle Ages, princes, nobles and the wealthy usually wore bright colors, particularly scarlet cloaks from Italy. Black was rarely part of the wardrobe of a noble family. The one exception was the fur of the sable. This glossy black fur, from an animal of the marten family, was the finest and most expensive fur in Europe. It was imported from Russia and Poland and used to trim the robes and gowns of royalty.

Modern

While black was the color worn by the Catholic rulers of Europe, it was also the emblematic color of the Protestant Reformation in Europe and the Puritans in England and America. John Calvin, Philip Melanchthon and other Protestant theologians denounced the richly colored and decorated interiors of Roman Catholic churches. They saw the color red, worn by the pope and his cardinals, as the color of luxury, sin, and human folly. In some northern European cities, mobs attacked churches and cathedrals, smashed the stained glass windows and defaced the statues and decoration. In Protestant doctrine, clothing was required to be sober, simple and discreet. Bright colors were banished and replaced by blacks, browns and grays; women and children were recommended to wear white.

In the Protestant Netherlands, Rembrandt used this sober new palette of blacks and browns to create portraits whose faces emerged from the shadows expressing the deepest human emotions. The Catholic painters of the Counter-Reformation, like Rubens, went in the opposite direction; they filled their paintings with bright and rich colors. The new Baroque churches of the Counter-Reformation were usually shining white inside and filled with statues, frescoes, marble, gold and colorful paintings, to appeal to the public. But European Catholics of all classes, like Protestants, eventually adopted a sober wardrobe that was mostly black, brown and gray.

In the second part of the 17th century, Europe and America experienced an epidemic of fear of witchcraft. People widely believed that the devil appeared at midnight in a ceremony called a Black Mass or black sabbath, usually in the form of a black animal, often a goat, a dog, a wolf, a bear, a deer or a rooster, accompanied by their familiar spirits, black cats, serpents and other black creatures. This was the origin of the widespread superstition about black cats and other black animals. In medieval Flanders, in a ceremony called Kattenstoet, black cats were thrown from the belfry of the Cloth Hall of Ypres to ward off witchcraft.

Witch trials were common in both Europe and America during this period. During the notorious Salem witch trials in New England in 1692–93, one of those on trial was accused of being able turn into a "black thing with a blue cap", and others of having familiars in the form of a black dog, a black cat and a black bird. Nineteen women and men were hanged as witches.

In the 18th century, during the European Age of Enlightenment, black receded as a fashion color. Paris became the fashion capital, and pastels, blues, greens, yellow and white became the colors of the nobility and upper classes. But after the French Revolution, black again became the dominant color. Black was the color of the industrial revolution, largely fueled by coal, and later by oil. Thanks to coal smoke, the buildings of the large cities of Europe and America gradually turned black. By 1846 the industrial area of the West Midlands of England was "commonly called 'the Black Country'". Charles Dickens and other writers described the dark streets and smoky skies of London, and they were vividly illustrated in the wood-engravings of French artist Gustave Doré.

Science

Physics

Black can be defined as the color perceived when no visible light reaches the eye. Pigments or dyes that absorb almost all light rather than reflect it back to the eye look black. A black pigment can, however, result from a combination of several pigments that collectively absorb all wavelengths of visible light. If appropriate proportions of three primary pigments are mixed, the result reflects so little light as to be called black. This provides two superficially opposite but actually complementary descriptions of black. Black is the color produced by the absorption of all wavelengths of visible light, or an exhaustive combination of multiple colors of pigment.

In physics, a black body is a perfect absorber of light, but, by a thermodynamic rule, it is also the best emitter. Thus, the best radiative cooling, out of sunlight, is by using black paint, though it is important that it be black (a nearly perfect absorber) in the infrared as well. In elementary science, far ultraviolet light is called "black light" because, while itself unseen, it causes many minerals and other substances to fluoresce.

Absorption of light is contrasted by transmission, reflection and diffusion, where the light is only redirected, causing objects to appear transparent, reflective or white respectively. A material is said to be black if most incoming light is absorbed equally in the material. Light (electromagnetic radiation in the visible spectrum) interacts with the atoms and molecules, which causes the energy of the light to be converted into other forms of energy, usually heat. This means that black surfaces can act as thermal collectors, absorbing light and generating heat (see Solar thermal collector).

As of September 2019, the darkest material is made from vertically aligned carbon nanotubes. The material was grown by MIT engineers and was reported to have a 99.995% absorption rate of any incoming light. This surpasses any former darkest materials including Vantablack, which has a peak absorption rate of 99.965% in the visible spectrum.

Chemistry

The earliest pigments used by Neolithic man were charcoal, red ocher and yellow ocher. The black lines of cave art were drawn with the tips of burnt torches made of a wood with resin. Different charcoal pigments were made by burning different woods and animal products, each of which produced a different tone. The charcoal would be ground and then mixed with animal fat to make the pigment.

Vine black was produced in Roman times by burning the cut branches of grapevines. It could also be produced by burning the remains of the crushed grapes, which were collected and dried in an oven. According to the historian Vitruvius, the deepness and richness of the black produced corresponded to the quality of the wine. The finest wines produced a black with a bluish tinge the color of indigo.

The 15th-century painter Cennino Cennini described how this pigment was made during the Renaissance in his famous handbook for artists: "...there is a black which is made from the tendrils of vines. And these tendrils need to be burned. And when they have been burned, throw some water onto them and put them out and then mull them in the same way as the other black. And this is a lean and black pigment and is one of the perfect pigments that we use."

Cennini also noted that "There is another black which is made from burnt almond shells or peaches and this is a perfect, fine black." Similar fine blacks were made by burning the pits of the peach, cherry or apricot. The powdered charcoal was then mixed with gum arabic or the yellow of an egg to make a paint.

Different civilizations burned different plants to produce their charcoal pigments. The Inuit of Alaska used wood charcoal mixed with the blood of seals to paint masks and wooden objects. The Polynesians burned coconuts to produce their pigment.

Lamp black was used as a pigment for painting and frescoes, as a dye for fabrics, and in some societies for making tattoos. The 15th century Florentine painter Cennino Cennini described how it was made during the Renaissance: "... take a lamp full of linseed oil and fill the lamp with the oil and light the lamp. Then place it, lit, under a thoroughly clean pan and make sure that the flame from the lamp is two or three fingers from the bottom of the pan. The smoke that comes off the flame will hit the bottom of the pan and gather, becoming thick. Wait a bit. take the pan and brush this pigment (that is, this smoke) onto paper or into a pot with something. And it is not necessary to mull or grind it because it is a very fine pigment. Re-fill the lamp with the oil and put it under the pan like this several times and, in this way, make as much of it as is necessary." This same pigment was used by Indian artists to paint the Ajanta Caves, and as dye in ancient Japan.

Astronomy

A black hole is a region of spacetime where gravity prevents anything, including light, from escaping. The theory of general relativity predicts that a sufficiently compact mass will deform spacetime to form a black hole. Around a black hole there is a mathematically defined boundary called an event horizon that marks the point of no return. It is called "black" because it absorbs all the light that hits the horizon, reflecting nothing, just like a perfect black body in thermodynamics. Black holes of stellar mass are expected to form when very massive stars collapse at the end of their life cycle. After a black hole has formed it can continue to grow by absorbing mass from its surroundings. By absorbing other stars and merging with other black holes, supermassive black holes of millions of solar masses may form. There is general consensus that supermassive black holes exist in the centers of most galaxies. Although a black hole itself is black, infalling material forms an accretion disk, one of the brightest types of object in the universe.

Black-body radiation refers to the radiation coming from a body at a given temperature where all incoming energy (light) is converted to heat.

Black sky refers to the appearance of space as one emerges from Earth's atmosphere.

The fact that outer space is black is sometimes called Olbers' paradox. In theory, because the universe is full of stars, and is believed to be infinitely large, it would be expected that the light of an infinite number of stars would be enough to brilliantly light the whole universe all the time. However, the background color of outer space is black. This contradiction was first noted in 1823 by German astronomer Heinrich Wilhelm Matthias Olbers, who posed the question of why the night sky was black.

The current accepted answer is that, although the universe may be infinitely large, it is not infinitely old. It is thought to be about 13.8 billion years old, so we can only see objects as far away as the distance light can travel in 13.8 billion years. Light from stars farther away has not reached Earth, and cannot contribute to making the sky bright. Furthermore, as the universe is expanding, many stars are moving away from Earth. As they move, the wavelength of their light becomes longer, through the Doppler effect, and shifts toward red, or even becomes invisible. As a result of these two phenomena, there is not enough starlight to make space anything but black.

Culture

In China, the color black is associated with water, one of the five fundamental elements believed to compose all things; and with winter, cold, and the direction north, usually symbolized by a black tortoise. It is also associated with disorder, including the positive disorder which leads to change and new life. When the first emperor of China Qin Shi Huang seized power from the Zhou dynasty, he changed the Imperial color from red to black, saying that black extinguished red. Only when the Han dynasty appeared in 206 BC was red restored as the imperial color.

In Japan, black is associated with mystery, the night, the unknown, the supernatural, the invisible and death. Combined with white, it can symbolize intuition. In 10th- and 11th-century Japan, it was believed that wearing black could bring misfortune. It was worn at court by those who wanted to set themselves apart from the established powers or who had renounced material possessions.

In Japan black can also symbolize experience, as opposed to white, which symbolizes naiveté. The black belt in martial arts symbolizes experience, while a white belt is worn by novices. Japanese men traditionally wear a black kimono with some white decoration on their wedding day.

Black is associated with depth in Indonesia, as well as the subterranean world, demons, disaster, and the left hand. When combined with white, however, it symbolizes harmony and equilibrium.

Political movements

Anarchism is a political philosophy, most popular in the late 19th and early 20th centuries, which holds that governments and capitalism are harmful and undesirable. The symbols of anarchism was usually either a black flag or a black letter A. More recently it is usually represented with a bisected red and black flag, to emphasize the movement's socialist roots in the First International. Anarchism was most popular in Spain, France, Italy, Ukraine and Argentina. There were also small but influential movements in the United States, Russia and many other countries all around the world.

The Blackshirts (Italian: camicie nere, 'CCNN) were Fascist paramilitary groups in Italy during the period immediately following World War I and until the end of World War II. The Blackshirts were officially known as the Voluntary Militia for National Security (Milizia Volontaria per la Sicurezza Nazionale, or MVSN).

Inspired by the black uniforms of the Arditi, Italy's elite storm troops of World War I, the Fascist Blackshirts were organized by Benito Mussolini as the military tool of his political movement. They used violence and intimidation against Mussolini's opponents. The emblem of the Italian fascists was a black flag with fasces, an axe in a bundle of sticks, an ancient Roman symbol of authority. Mussolini came to power in 1922 through his March on Rome with the blackshirts.

Black was also adopted by Adolf Hitler and the Nazis in Germany. Red, white and black were the colors of the flag of the German Empire from 1870 to 1918. In Mein Kampf, Hitler explained that they were "revered colors expressive of our homage to the glorious past". Hitler also wrote that "the new flag ... should prove effective as a large poster" because "in hundreds of thousands of cases a really striking emblem may be the first cause of awakening interest in a movement". The black swastika was meant to symbolize the Aryan race, which, according to the Nazis, "was always anti-Semitic and will always be anti-Semitic." Several designs by a number of different authors were considered, but the one adopted in the end was Hitler's personal design. Black became the color of the uniform of the SS, the Schutzstaffel or "defense corps", the paramilitary wing of the Nazi Party, and was worn by SS officers from 1932 until the end of World War II.

The Nazis used a black triangle to symbolize anti-social elements. The symbol originates from Nazi concentration camps, where every prisoner had to wear one of the Nazi concentration camp badges on their jacket, the color of which categorized them according to "their kind". Many Black Triangle prisoners were either mentally disabled or mentally ill. The homeless were also included, as were alcoholics, the Romani people, the habitually "work-shy", prostitutes, draft dodgers and pacifists. More recently the black triangle has been adopted as a symbol in lesbian culture and by disabled activists.

Military

Black has been a traditional color of cavalry and armoured or mechanized troops. German armoured troops (Panzerwaffe) traditionally wore black uniforms, and even in others, a black beret is common. In Finland, black is the symbolic color for both armoured troops and combat engineers, and military units of these specialities have black flags and unit insignia.

The black beret and the color black is also a symbol of special forces in many countries. Soviet and Russian OMON special police and Russian naval infantry wear a black beret. A black beret is also worn by military police in the Canadian, Czech, Croatian, Portuguese, Spanish and Serbian armies.

The silver-on-black skull and crossbones symbol or Totenkopf and a black uniform were used by Hussars and Black Brunswickers, the German Panzerwaffe and the Nazi Schutzstaffel, and U.S. 400th Missile Squadron (crossed missiles), and continues in use with the Estonian Kuperjanov Battalion.

Religion

In Christian theology, black was the color of the universe before God created light. In many religious cultures, from Mesoamerica to Oceania to India and Japan, the world was created out of a primordial darkness. In the Bible the light of faith and Christianity is often contrasted with the darkness of ignorance and paganism.

In Christianity, the devil is often called the "prince of darkness". The term was used in John Milton's poem Paradise Lost, published in 1667, referring to Satan, who is viewed as the embodiment of evil. It is an English translation of the Latin phrase princeps tenebrarum, which occurs in the Acts of Pilate, written in the fourth century, in the 11th-century hymn Rhythmus de die mortis by Pietro Damiani, and in a sermon by Bernard of Clairvaux from the 12th century. The phrase also occurs in King Lear by William Shakespeare (c. 1606), Act III, Scene IV, l. 14:

'The prince of darkness is a gentleman."

In Protestantism, the Royal Black Institution uses the color used in the members' sashes and collarettes, and is traditionally understood to refer to mortality and serve as a symbol of mourning.

Priests and pastors of the Roman Catholic, Eastern Orthodox and Protestant churches commonly wear black, as do monks of the Benedictine Order, who consider it the color of humility and penitence.

In Islam, black, along with green, plays an important symbolic role. It is the color of the Black Standard, the banner that is said to have been carried by the soldiers of Muhammad. It is also used as a symbol in Shi'a Islam (heralding the advent of the Mahdi), and the flag of followers of Islamism and Jihadism.

In Hinduism, the goddess Kali, goddess of time and change, is portrayed with black or dark blue skin. wearing a necklace adorned with severed heads and hands. Her name means "The black one". She destroys anger and passion according to Hindu mythology and her devotees are supposed to abstain from meat or intoxication. Kali does not eat meat, but it is the śāstra's injunction that those who are unable to give up meat-eating, they may sacrifice one goat, not cow, one small animal before the goddess Kali, on amāvāsya (new moon) day, night, not day, and they can eat it.

Sports

The national rugby union team of New Zealand is called the All Blacks, in reference to their black outfits, and the color is also shared by other New Zealand national teams such as the Black Caps (cricket) and the Kiwis (rugby league).

Association football (soccer) referees traditionally wear all-black uniforms, however nowadays other uniform colors may also be worn.

In auto racing, a black flag signals a driver to go into the pits.

In baseball, "the black" refers to the batter's eye, a blacked out area around the center-field bleachers, painted black to give hitters a decent background for pitched balls.

A large number of teams have uniforms designed with black colors even when the team does not normally feature that color. Many feel the color sometimes imparts a psychological advantage in its wearers. Black is used by numerous professional and collegiate sports teams

Idioms and expressions

In general, the Negro race of African origin is called "Black", while the Caucasian race of European origin is called "White".

In the United States, "Black Friday" (the day after Thanksgiving Day, the fourth Thursday in November) is traditionally the busiest shopping day of the year. Many Americans are on holiday because of Thanksgiving, and many retailers open earlier and close later than normal, and offer special prices. The day's name originated in Philadelphia sometime before 1961, and originally was used to describe the heavy and disruptive downtown pedestrian and vehicle traffic which would occur on that day. Later an alternative explanation began to be offered: that "Black Friday" indicates the point in the year that retailers begin to turn a profit, or are "in the black", because of the large volume of sales on that day.

"In the black" means profitable. Accountants originally used black ink in ledgers to indicate profit, and red ink to indicate a loss.

Black Friday also refers to any particularly disastrous day on financial markets. The first Black Friday (1869), 24 September 1869, was caused by the efforts of two speculators, Jay Gould and James Fisk, to corner the gold market on the New York Gold Exchange.

A blacklist is a list of undesirable persons or entities (to be placed on the list is to be "blacklisted").

Black comedy is a form of comedy dealing with morbid and serious topics. The expression is similar to black humor or black humour.

A black mark against a person relates to something bad they have done.

A black mood is a bad one (cf Winston Churchill's clinical depression, which he called "my black dog").

Black market is used to denote the trade of illegal goods, or alternatively the illegal trade of otherwise legal items at considerably higher prices, e.g. to evade rationing.

Associations and symbolism

Mourning

In the West, black is commonly associated with mourning and bereavement, and usually worn at funerals and memorial services. In some traditional societies, for example in Greece and Italy, some widows wear black for the rest of their lives. In contrast, across much of Africa and parts of Asia like Vietnam, white is a color of mourning.

A "black day" (or week or month) usually refers to tragic date. The Romans marked fasti days with white stones and nefasti days with black. The term is often used to remember massacres. Black months include the Black September in Jordan, when large numbers of Palestinians were killed, and Black July in Sri Lanka, the killing of members of the Tamil population by the Sinhalese government. In the financial world, the term often refers to a dramatic drop in the stock market. For example, the Wall Street crash of 1929, the stock market crash on 29 October 1929, which marked the start of the Great Depression, is nicknamed Black Tuesday, and was preceded by Black Thursday, a downturn on 24 October the previous week.

Darkness, evil, and the occult

In western popular culture, black has long been associated with evil and darkness. It is the traditional color of witchcraft and black magic. The vampire of literature and films, such as Count Dracula of the Bram Stoker novel, dressed in black. The Wicked Witch of the West in the 1939 film The Wizard of Oz became the archetype of witches wearing black clothes including witch Halloween costumes.

Horror

Black is associated with the horror genre. This association is due to the association of darkness with the color. An example of the color being used in a horror story is The Black Cat by Edgar Allan Poe. In the horror franchise, Scream, the main antagonist is a serial killer identity named Ghostface which wears a black cloak. It was originally white but was changed to black.

Power, authority and solemnity

Black is frequently used as a color of power, law and authority. In many countries judges and magistrates wear black robes. That custom began in Europe in the 13th and 14th centuries. Jurists, magistrates and certain other court officials in France began to wear long black robes during the reign of Philip IV of France (1285–1314), and in England from the time of Edward I (1271–1307). The custom spread to the cities of Italy at about the same time, between 1300 and 1320. The robes of judges resembled those worn by the clergy, and represented the law and authority of the King, while those of the clergy represented the law of God and authority of the church. Until the 20th century most police uniforms were black, until they were largely replaced by blue in France, the U.S. and other countries. In the United States, police cars are frequently Black and white. The riot control units of the Basque Autonomous Police in Spain are known as beltzak ("blacks") after their uniform.

Black formal attire is still worn at many solemn occasions or ceremonies, from graduations to formal balls. Graduation gowns are copied from the gowns worn by university professors in the Middle Ages, which in turn were copied from the robes worn by judges and priests, who often taught at the early universities. The mortarboard hat worn by graduates is adapted from a square cap called a biretta worn by Medieval professors and clerics.

Functionality

In the 19th and 20th centuries, many machines and devices, large and small, were painted black, to stress their functionality. These included telephones, sewing machines, steamships, railroad locomotives, and automobiles. The Ford Model T, the first mass-produced car, was available only in black from 1914 to 1926. Of means of transportation, only airplanes were rarely ever painted black.

Race

The term "Black" is often used in the West to describe people whose skin is darker. In the United States, it is particularly used to describe African Americans. Black is also commonly used as a racial description in the United Kingdom, since ethnicity was first measured in the 2001 census. In Canada, census respondents can identify themselves as Black. In Brazil, the Brazilian Institute of Geography and Statistics (IBGE) asks people to identify themselves as branco (white), pardo (brown), preto (black), or amarelo (yellow).

Opposite of white

Black and white have often been used to describe opposites, particularly light and darkness and good and evil. In Medieval literature, the white knight usually represented virtue, the black knight something mysterious and sinister. In American westerns, the hero often wore a white hat, the villain a black hat.

In philosophy and arguments, the issue is often described as black-and-white, meaning that the issue at hand is dichotomized (having two clear, opposing sides with no middle ground).

Black is commonly associated with secrecy.

Black and white have often been used to describe opposites; particularly light and darkness and good and evil. In Medieval literature, the white knight usually represented virtue, the black knight something mysterious and sinister. In American westerns, the hero often wore a white hat, the villain a black hat.

In the original game of chess invented in Persia or India, the colors of the two sides were varied; a 12th-century Iranian chess set in the New York Metropolitan Museum of Art, has red and green pieces. But when the game was imported into Europe, the colors, corresponding to European culture, usually became black and white.

Studies have shown that something printed in black letters on white has more authority with readers than any other color of printing.

In philosophy and arguments, an issue is often described as black-and-white, meaning that the issue at hand is dichotomized (having two clear, opposing sides with no middle ground).

Elegant fashion

Black is the color most commonly associated with elegance in Europe and the United States. Black first became a fashionable color for men in Europe in the 17th century, in the courts of Italy and Spain. In the 19th century, it was the fashion for men both in business and for evening wear. For women's fashion, the defining moment was the invention of the simple black dress by Coco Chanel in 1926. Thereafter, a long black gown was used for formal occasions, while the simple black dress could be used for everything else. The expression "X is the new black" is a reference to the latest trend or fad that is considered a wardrobe basic for the duration of the trend, on the basis that black is always fashionable. The phrase has taken on a life of its own and has become a cliché.