Babe

"Babe" is a song by English boy band Take That, released in December 1993 by RCA and BMG as the fourth single from the band's second album, Everything Changes (1993). Written by Gary Barlow, it features Mark Owen on lead vocals. Production was led by David Clayton, who later spent 10 years as keyboard player and backing vocalist with Simply Red. Accompanied by a music video directed by Gregg Masuak, the song was a number-one hit in both Ireland and the United Kingdom while peaking within the top 10 in Belgium, Finland, Germany, Israel, Lithuania, the Netherlands, Norway, Sweden and Switzerland. Release Released on 6 December 1993, "Babe" became Take That's third single in a row to go straight to number one on the UK Singles Chart, knocking Mr Blobby's self-titled novelty single from the number-one slot in the process. With this achievement, Take That became the first band to have three consecutive singles debut at number one. The following week, Mr Blobby's single climbed back to number one, denying Take That the Christmas number-one place. The single sold 350,000 copies in 1993, and was that year's 14th biggest-selling single. The song was certified platinum on 1 January 1994 for shipments of over 600,000 copies in the UK. Critical reception AllMusic editor Bryan Buss described the song as "surprisingly risqué". Tom Ewing of Freaky Trigger noted that the melody is "murky and sad – this is as fog-bound and haunted a number one as we've seen since the high Gothic of John Leyton – and the tension gives the story a dignity." In his weekly UK chart commentary, James Masterton said, "'Babe' is another slowly with a familiar lyrical theme of the prodigal lover returning to find his ex with a child bearing his eyes etc. etc. It grows on you as well". Chris Roberts from Melody Maker felt the "telephone gimmick" doesn't work, calling the song "mush". Alan Jones from Music Week gave it four out of five, writing that "this overwrought ballad lacks the instant appeal of many of the group's previous singles. But the combination of massive media support, the Smash Hits Awards and large fanbase make it a cert." David Quantick from NME said, "There's a telephone on it. The pace is ominous, threatening, even. The theme is the departure of a loved one and the failure to communicate with them on the (hey) telephone.