Wolfgang Reitherman

Wolfgang Reitherman (June 26, 1909 – May 22, 1985), also known and sometimes credited as Woolie Reitherman, was a German–American animator, director and producer and one of the "Nine Old Men" of core animators at Walt Disney Productions. He emerged as a key figure at Disney during the 1960s and 1970s, a transitionary period which saw the death of Walt Disney in 1966, with him serving as director and/or producer on eight consecutive Disney animated feature films from One Hundred and One Dalmatians through The Fox and the Hound. Career While Reitherman was studying at Chouinard Art Institute, his paintings had attracted the attention of Philip L. Dike, a drawing and painting instructor. Impressed with his artwork, Dike showed them to Disney, after which Reitherman was invited to the studio. He initially wanted to work as a watercolorist, but Walt Disney suggested he should be an animator. Reitherman was hired at Walt Disney Productions on May 21, 1933, and his first project was working as an animator on a Silly Symphonies cartoon, Funny Little Bunnies (1933). Reitherman continued to work on a number of Disney shorts, including The Band Concert (1935), Music Land (1935), and Elmer Elephant (1936). He animated the Slave in the Magic Mirror in Snow White and the Seven Dwarfs (1937). His next assignments were animating Monstro in Pinocchio (1940), the climactic dinosaur fight in Igor Stravinsky's "Rite of Spring" segment of Fantasia (1940), and several scenes of Timothy Q. Mouse in Dumbo (1941). In 1942, Reitherman left the Disney studios to serve in World War II for the United States Army Air Forces, earning the Distinguished Flying Cross after serving in Africa, China, India, and the South Pacific. He was discharged in February 1946, having earned the rank of Major. Reitherman rejoined the studio in April 1947, where he animated the Headless Horseman chase in The Legend of Sleepy Hollow section in The Adventures of Ichabod and Mr. Toad (1949). Around this time, he claimed he was instrumental in helping Walt Disney commit to producing Cinderella (1950). Upon looking at rough storyboards, Reitherman recalled, "I just went in his office, which I rarely did, and I said, 'Gee, that looks great. We ought to do it.' It might have been a little nudge to say, 'Hey, let's get going again and let's do a feature'." On Cinderella (1950), he was the directing animator of the sequence in which Jaq and Gus laboriously push and pull the key up the stairs to Cinderella.