Overview
Waking Life is a 2001 American animated film written and directed by Richard Linklater. The film explores a wide range of philosophical issues, including the nature of reality, dreams and lucid dreams, consciousness, the meaning of life, free will, and existentialism. It is centered on a young man who wanders through a succession of dreamlike realities wherein he encounters a series of people who engage in insightful philosophical discussions.
The entire film was digitally rotoscoped. It contains several parallels to Linklater's 1991 film Slacker. Ethan Hawke and Julie Delpy reprise their characters from the 1995 Before Sunrise in one scene. Waking Life premiered at the 2001 Sundance Film Festival, and was released on October 19, 2001, where it received critical acclaim; however, it underperformed at the box office.
Plot
An unnamed young man lives an ethereal existence that lacks transitions between everyday events and eventually progresses toward an existential crisis. He observes quietly but later participates actively in philosophical discussions involving other characters — ranging from quirky scholars and artists to everyday restaurant-goers and friends — about such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence but rather focus on a random isolated person, a group of people, or a couple engaging in such topics from a disembodied perspective. Along the way, the film also touches upon existentialism, situationist politics, posthumanity, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.
Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far, he is mostly a passive onlooker, though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterward, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.
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