The Misfits

The Misfits is a 1961 American Contemporary Western film written by Arthur Miller, directed by John Huston, and starring Clark Gable, Marilyn Monroe, and Montgomery Clift. The supporting cast includes Thelma Ritter and Eli Wallach. Adapted by Miller from his own short story of the same name published in Esquire in October 1957, The Misfits was the last completed film for both Clark Gable and Marilyn Monroe. For Gable, the film was posthumously released, while Monroe died in August 1962 after its release. The plot centers on Roslyn Tabor (Monroe), a newly divorced woman from Reno, and her relationships with friendly landlady Isabelle Steers (Thelma Ritter), an old-school cowboy Gaylord Langland (Gable), his tow-truck driving and plane-flying best friend (Wallach), and their rodeo-riding, bronc-busting friend (Clift). The Misfits was a commercial failure at the time of its initial release, but received critical acclaim for its script and performances. Its reputation has shifted over the following years, and many critics now consider the film to be a masterpiece and one of the best films of the 1960s. Plot In Reno, Nevada, 30-year-old Roslyn Tabor files for a quickie six-week residency divorce from her inattentive husband, Raymond. Afterward, Roslyn's landlady Isabelle takes her to a cocktail lounge at Harrah's for drinks. They meet an aging cowboy named Gaylord Langland, and his tow truck driver best friend, Guido. The friendly Guido tells Roslyn and Isabelle about his unfinished house in the country. Later that day, the group goes to the unfinished house Guido has built for his late wife. After drinking and dancing, Roslyn has had too much to drink, so Gaylord drives her home to Reno. Eventually, Roslyn and Gaylord move into Guido's half-finished house and work on it. One day, Gaylord tells Roslyn how he wishes he were more of a father to his children, whom he has not seen for years. Later, he discovers rabbits have been eating the lettuce in the garden they have planted. Gay wants to kill the rabbits with his shotgun, an idea that Roslyn opposes.