The Lover

The Lover is a 1992 erotic romantic drama film produced by Claude Berri and directed by Jean-Jacques Annaud. Based on the semi-autobiographical 1984 novel of the same name by Marguerite Duras, the film details the illicit affair between a teenage French girl and a wealthy Chinese man in 1929 French Indochina. The protagonist is portrayed by actress Jane March and her lover is portrayed by actor Tony Leung Ka-fai. The film also features Jeanne Moreau as a narrator. Development began in 1989, with principal photography commencing in 1991. The film made its theatrical debut on 22 January 1992 in France, on 19 June in the United Kingdom, and in the United States on 30 October of the same year. The film was nominated for the 1992 Academy Award for Best Cinematography and won the Motion Picture Sound Editors' 1993 Golden Reel Award for "Best Sound Editing — Foreign Feature". It was nominated for seven César Awards in France, winning the Award for Best Original Music. The film was a box office success in France and received generally positive reviews in Europe, while reviews from American critics were more mixed. Synopsis The primary characters are known only as The Young Girl and The Chinese Man. The events take place in Vietnam. The daughter of a bitter, fearful, poverty-stricken French family, living in a rural area, she wears an old linen dress and a fedora, and paints her lips bright red when out of her mother's sight. Her weak-willed, widowed mother is a schoolteacher to local children. There is a violent, opium-smoking older brother, and a timid younger brother. The girl is a loner but an excellent student, who dreams of being a writer. The girl meets the Chinese Man when crossing the river on the ferry to return to the city after a school holiday. He is the son of a businessman whose fortune was made in real estate, and has recently returned from Paris after finishing his business studies. He has the look but lacks the self-assurance of the playboy he fancies himself to be, and he is mesmerized the first time he sees her standing by the rail on a crowded ferry crossing the Mekong River. After some awkward conversation, she accepts a lift to Saigon in his chauffeur-driven limousine. In voice-over at the beginning of the film she says she is 15, but she tells him she is 17; he is 32. During the drive he tremulously takes her hand; at the end, his hand is in her lap.