Ted Rusoff

Ted Rusoff (May 20, 1939 – September 28, 2013) was a Canadian voiceover artist, actor, vocal coach, and translator specializing in the adaptation and translation from and into various languages of synchronized dialogue for the dubbing of films and cartoons. Highly prolific with over 100 credits to his name, Rusoff is best remembered for his work adapting and performing English-language dialogue for countless Italian genre films. As an actor, he had appeared in more than 70 films. Fluent in many languages, he is often called upon for work as language/accent/dialogue consultant for dubbings, theater, and cinema. He has worked many times as a stage-director for regular plays and as stage-director and music-coach for opera in houses in Marseilles, Copenhagen, Munich, Prague, Riga, Montivideo, Tokyo, Auckland, and elsewhere. He has been active as a choral director, known for his "Liebslieder Waltzes" and other choral masterpieces by Brahms, as well as the music of composers of the Baroque period. Life and career Born in Winnipeg, Manitoba, Rusoff was the son of screenwriter and film producer Lou Rusoff and the nephew of Samuel Z. Arkoff, the head of American International Pictures. Rusoff started his career as a singer, appearing in operas, musical comedies, and on the road in various cities in Canada and the United States with his guitar during the folk-singing boom of the late 1950s and early 1960s. He specialized in foreign language songs, including Ghanaian and Māori. He also appeared in nearly all the Gilbert and Sullivan operas, acting in a wide variety of roles. He toured with a trio called The Catch Club, along with his fellow music-students from UCLA, David Reznick and Larry Pack. They sang catches, or rounds, from the English Restoration period, and appeared throughout North America whilst recording an album. In 1963, he relocated to Europe, where using his knowledge of languages, began overseeing the dubbing of English-language AIP films into Italian, French, and German. Since then, he has worked as sync-adapter and dubbing director of more than 500 films, and as a dubber his voice can be heard in more than 1000 films, providing the voice for numerous leading men as well as many villains in a number of Italian cult favorites such as The Whip and the Body (1963), Deep Red (1975), Beyond the Darkness (1979) and many others. He has also worked extensively dubbing films into Italian and French, often supplying foreign languages or accents.