Taylor Hackford

Taylor Edwin Hackford (born December 31, 1944) is an American film director and former president of the Directors Guild of America. He won the Academy Award for Best Live Action Short Film for Teenage Father (1979). Hackford went on to direct a number of highly regarded feature films, most notably An Officer and a Gentleman (1982) and Ray (2004), the latter of which saw him nominated for the Academy Award for Best Director and the Academy Award for Best Picture. Early life Hackford was born in Santa Barbara, California, the son of Mary (née Taylor), a waitress, and Joseph Hackford. He graduated from the University of Southern California in 1968, where he was a pre-law major focusing on international relations and economics. After graduating, he served as a Peace Corps volunteer in Bolivia, where he started using Super 8 film in his spare time. The camera was purchased for him by fellow Peace Corps volunteer, Steve Ball. He decided that he did not want to pursue a career in law, and instead got a mailroom position at KCET-TV. At KCET he was the associate producer on the Leon Russell special "Homewood" in 1970. In 1973 at KCET he produced the one-hour special Bukowski (about the poet Charles Bukowski), directed by Richard Davies. Career The Idolmaker starred Ray Sharkey, who was awarded a Golden Globe for Best Actor for his portrayal of "Vinnie" in the film. The Music Supervisor was Richard Flanzer. Hackford said of The Idolmaker, "I make films about working-class people; showbusiness is one of those things through which people can get themselves out of the lower rung of society. To me, the compelling story in The Idolmaker is the guy with a wonderful talent and a fairly strong ego has to make it happen through puppets." During the filming of An Officer and a Gentleman, Hackford kept Lou Gossett Jr. in separate living quarters from the other actors so he could intimidate them more during his scenes as a drill instructor. Richard Gere originally balked at shooting the ending, which involves his character arriving at his lover's factory wearing his Navy dress whites and carrying her off from the factory floor. Gere thought the ending would not work because it was too sentimental, and Hackford was initially inclined to agree with Gere, until during a rehearsal when the extras playing the workers began to cheer and cry.