Stanley Donen

Stanley Donen ( ; April 13, 1924 – February 21, 2019) was an American film director and choreographer. Donen directed some of the most iconic films of the Golden Age of Cinema. He received the Honorary Academy Award in 1998, and the Career Golden Lion at the Venice Film Festival in 2004. Four of his films have been inducted into the National Film Registry at the Library of Congress. Donen began his career in the chorus line on Broadway for director George Abbott. From 1943, he worked in Hollywood as a choreographer before collaborating with Gene Kelly where Donen worked as a contract director for MGM under producer Arthur Freed. Donen and Kelly directed the films On the Town (1949), Singin' in the Rain, and It's Always Fair Weather (1955). Donen's relationship with Kelly deteriorated during their final collaboration. His other films during this period include Royal Wedding (1951), Seven Brides for Seven Brothers (1954), and Funny Face (1957). He then broke his contract with MGM to become an independent film producer in 1957. Donen received acclaim for his later films including the romance films Indiscreet (1958), Charade (1963), and Two for the Road (1967). He also directed the spy thriller Arabesque (1966), the British comedy Bedazzled (1967), the musicals Damn Yankees (1958), and The Little Prince (1974), and the comedy Lucky Lady (1975). Early life and stage career Stanley Donen was born on April 13, 1924 in Columbia, South Carolina to Mordecai Moses Donen, a dress-shop manager, and Helen (Cohen), the daughter of a jewelry salesman. His younger sister Carla Donen Davis was born in August 1937. Born to Jewish parents, Donen became an atheist in his youth. Donen described his childhood as lonely and unhappy as one of the few Jews in Columbia, and he was occasionally bullied by antisemitic classmates at school. To help cope with his isolation, Donen spent much of his youth in local movie theaters and was especially fond of Westerns, comedies and thrillers. The film that had the strongest impact on him was the 1933 Fred Astaire and Ginger Rogers musical Flying Down to Rio. Donen said that he "must have seen the picture thirty or forty times. I was transported into some sort of fantasy world where everything seemed to be happy, comfortable, easy and supported. A sense of well-being filled me." He shot and screened home movies with an 8 mm camera and projector that his father bought for him.