Robert Riettii

Robert Rietti, (born Lucio Herbert Rietti; sometimes Rietty, 8 February 1923 – 3 April 2015), was an English actor, translator, playwright, and dubbing director. With over 200 credits to his name, he had a highly prolific career in the British, American, and Italian entertainment industries. He was particularly prominent in post-production dubbing both foreign and domestic, often overseeing the English-language dubbing of foreign actors' dialogue. He is known for his dubbing work in the James Bond series, Lawrence of Arabia, Once Upon a Time in America, and The Guns of Navarone. Early life Born in 1923, Rietti was the younger of two sons of Italian-Jewish actor Victor Rietti and Rachel Rosenay. In 1932, at the age of nine, he joined his father's company Teatro Italiano, making his stage debut in Mysterious Currents. His father (under whom Ida Lupino and June Duprez had studied acting) developed his son's acting career under the name Bobby Rietti. He made his motion picture debut as Fattorino in Monty Banks' comedy Heads We Go (1933). He soon caught the eye of David O. Selznick, who offered him an extended film contract. Despite letting down Alfred Hitchcock, who handpicked him to play the lead in Sabotage (1936), he made 17 motion pictures during the 1930s, remaining a popular child actor throughout that decade. They would later work together in Hitchcock's film Frenzy. Rietti was also active on the stage. At the age of twelve he played Jonathan across Elisabeth Bergner in James Barrie's last play, The Boy David (1936), which dramatised the Biblical story of King Saul and the young David. Altogether, in his boyhood years he acted in eighteen films and over one hundred and twenty plays. Second World War His successful career on the stage and in motion pictures was interrupted by the outbreak of the Second World War. Rietti and his brother, being Italian, were interned at Ascot internment camp. He later joined the Rifle Brigade, but accepted the army's request for him to head "Stars in Battledress", a group of young actors, which included the young Peter Ustinov and Terry-Thomas, who toured England, and were flown throughout liberated Europe, to entertain Allied troops. In 1945, he was invited by John Gielgud to join his production of Hamlet for troops in the Far East. After the war, he returned to work in the theatre, films, radio, and the latest medium, early television.