Penny Marshall

Carole Penny Marshall (October 15, 1943 – December 17, 2018) was an American actress, director and producer. She is known for her role as Laverne DeFazio on the television sitcom Laverne & Shirley (1976–1983), receiving three nominations for the Golden Globe Award for Best Actress – Television Series Musical or Comedy for her portrayal. Marshall made her directorial debut with Jumpin' Jack Flash (1986) before directing Big (1988), which became the first film directed by a woman to gross more than $100 million at the U.S. box office. Her subsequent directing credits included Awakenings (1990), which was nominated for the Academy Award for Best Picture, A League of Their Own (1992), Renaissance Man (1994), The Preacher's Wife (1996) and Riding in Cars with Boys (2001). She also produced Cinderella Man (2005) and Bewitched (2005), and directed episodes of the television series According to Jim and United States of Tara. Early life Carole Penny Marshall was born in the Bronx, New York City, on October 15, 1943, to Marjorie Irene (née Ward), a tap dance teacher who ran the Marjorie Marshall Dance School, and Anthony W. Marshall (né Masciarelli), a director of industrial films and later a producer. She had a brother, actor/director/TV producer Garry Marshall; and a sister, television producer Ronny Hallin. Penny's birth name, Carole, was selected because her mother's favorite actress was Carole Lombard. Her middle name was selected because her older sister Ronny, wanting a horse, was saving pennies; their mother chose the middle name in an attempt to console Ronny. Penny's father was of Italian descent, his family having come from Abruzzo, and her mother was of German, English, and Scottish descent; Marshall's father changed his surname from Masciarelli to Marshall before she was born. Religion played an odd role in the Marshall children's lives. Garry was christened Episcopalian, Ronny was Lutheran, and Penny was confirmed in a Congregational Church, because "[Mother] sent us anyplace that had a hall where she could put on a recital. If she hadn't needed performance space, we wouldn't have bothered."