Neil LaBute

Neil N. LaBute (born March 19, 1963) is an American playwright, film director, screenwriter, and actor. He is best known for a play that he wrote and later adapted for film, In the Company of Men (1997), which won awards from the Sundance Film Festival, the Independent Spirit Awards, and the New York Film Critics Circle. He wrote and directed the films Your Friends & Neighbors (1998), Possession (2002) (based on the A. S. Byatt novel), The Shape of Things (2003) (based on his play of the same name), The Wicker Man (2006), Some Velvet Morning (2013), and Dirty Weekend (2015). He directed the films Nurse Betty (2000), Lakeview Terrace (2008), and the American adaptation of Death at a Funeral (2010). LaBute created the TV series Billy & Billie, writing and directing all of the episodes. He is also the creator of the TV series Van Helsing. Recently, he executive produced, co-directed and co-wrote Netflix's The I-Land. He also directed several episodes for shows such as Hell on Wheels and Billions. Early life LaBute was born in Detroit, Michigan, the son of Marian, a hospital receptionist, and Richard LaBute, a long-haul truck driver. LaBute is of French Canadian, English, and Irish ancestry, and was raised in Spokane, Washington. He studied theater at Brigham Young University (BYU), where he joined the Church of Jesus Christ of Latter-day Saints (LDS Church). At BYU, he also met actor Aaron Eckhart, who would later play leading roles in several of his films. He produced a number of plays that pushed the envelope of what was acceptable at the conservative religious university, some of which were shut down after their premieres. However, he also was honored as one of the "most promising undergraduate playwrights" at the BYU theater department's annual awards. Labute did graduate work at the University of Kansas, New York University, and the Royal Academy of London, and he participated in a writing workshop at London's Royal Court Theatre. Career Early career and success LaBute burst onto the theater scene in 1989 with his controversial debut Filthy Talk for Troubled Times. His interest in the film industry came with a viewing of The Soft Skin (La Peau Douce 1964), said the director to Robert K.