Overview
Mike Flanagan (born May 20, 1978) is an American filmmaker and partner in Intrepid Pictures. Flanagan is best known for his work in horror films and television series, which has attracted praise from Stephen King, Quentin Tarantino, and William Friedkin, among others, for his directing and lack of reliance on jump scares.
Flanagan's films, all of which he directed, wrote, and edited, include Absentia (2011), Oculus (2013), Hush, Before I Wake, Ouija: Origin of Evil (all 2016), Gerald's Game (2017), and Doctor Sleep (2019). He also created, produced, and served as showrunner on the Netflix supernatural horror anthology series The Haunting, which consists of The Haunting of Hill House (2018), a season based on Shirley Jackson's novel of the same name, and The Haunting of Bly Manor (2020), a season based on the horror novella The Turn of the Screw by Henry James, both of which he has directed, written, and edited episodes. Flanagan also created and directed the Netflix horror miniseries Midnight Mass (2021), The Midnight Club (2022), and The Fall of the House of Usher (2023).
Flanagan is married to actress Kate Siegel, who has been featured in most of his works since Oculus. They also wrote the screenplay of Hush together. Other frequent collaborators of Flanagan's include Carla Gugino, Henry Thomas, Samantha Sloyan, Rahul Kohli, Bruce Greenwood, Zach Gilford, Robert Longstreet, Michael Trucco, Annalise Basso, Lulu Wilson, Annabeth Gish and Alex Essoe, among others.
Early life
Flanagan was born in 1978 in Salem, Massachusetts. His father was in the United States Coast Guard, and the family moved around often. Although he only briefly lived in Salem, it left an impression on him, and Flanagan retained an abiding interest in both the Salem witch trials and associated topics, such as ghost stories and horror fiction. Flanagan eventually ended up in Maryland, where he was a student at Archbishop Spalding High School and later attended Towson University. He graduated with a BA in Electronic Media & Film and a minor in theater.
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