Michel Subor

Michel Subor (, born Mischa Subotzki; 2 February 1935 – 17 January 2022) was a French actor who gained initial fame with the starring role in Jean-Luc Godard's second feature, Le petit soldat (1960), but the French government banned it until 1963 because of its political content, touching on terrorism during the undeclared Algerian War. He acted in a couple of American films in the late 1960s including the role of Claude Jade's husband in Alfred Hitchcock's Topaz. In 1999, he once again played Forestier in Beau Travail, a highly praised variation of Billy Budd, directed by Claire Denis. He continued to work with her. Early life and education He was born as Mischa Subotzki in France in 1935, to anti-Bolshevik parents from the Soviet Union who had immigrated a few years earlier. His father was an engineer in Moscow, and his mother was born in Azerbaijan. Michel Subor has a sister who moved to the United States as an adult. Career His career started with small roles in Frou-Frou (1955) and Un drôle de dimanche (1958), followed by playing Roger Hanin's son in Mon pote le gitan (1959). His first leading role came by playing the lover of Brigitte Bardot's character in La Bride sur le Cou (1961). The year before he had completed Subor's most important early role as Bruno Forestier, a French deserter in Geneva in Jean-Luc Godard's Le Petit Soldat (1960), set against terrorist acts in France and Switzerland during the guerre sans nom of the Algerian War. The film starred Anna Karina in her debut. Due to its politically sensitive content, the French government banned its release until 1963, after the end of the war. A new print was released in 2012. The critic Roger Ebert wrote that "Godard, in 1960, making a film about the Algerian War, was portraying the sort of intellectual and moral confusion that good men have when they confront senseless events." In 2005 Jacques Mandelbaum described Subor in Le Monde as one of the greatest actors in French cinema, but said that his roles in the 1960s and 1970s were not "as favorable, ambiguous, fascinating as the Little Soldier."