Kent Shocknek

Kent Shocknek is an American television and film personality who branched into acting toward the end of a successful career as a TV newscaster. Because of the length of his journalism career, duration of his broadcasts, and breaking news events, by the time of his departure from news, he is credited with having logged more hours as an anchor than anyone else in Los Angeles. The city has designated two separate days "Kent Shocknek Day" in his honor. Before anchoring prime-time newscasts on CBS-TV owned stations, Shocknek was Southern California's first and longest-running television news morning news anchor. Because of his recognizability, he has been sought out to appear in more than 100 feature films and television dramas –often as a newscaster or commentator –giving rise to a popular second career that continues currently. On radio, Shocknek has narrated daily commentaries in L.A., and has hosted a nationally syndicated entertainment program. Viewers and magazine readers also recognize him as an authority on automotive issues. Career Born Kent Schoknecht in Berkeley, California, he simplified the on-air spelling of his name upon arrival to Los Angeles television. After working at the Long Beach Press Telegram while attending the University of Southern California, Shocknek's first TV reporting job was in Sioux City, Iowa (KCAU-TV), followed by a three-year stint as anchor and Space Shuttle reporter in Orlando, Florida (WFTV). In 1983, Shocknek joined KNBC-TV as a reporter and fill-in anchor for what was then known as News4LA. Three years later, he anchored the start-up of L.A.'s first TV morning news program, Today in LA on KNBC-TV. Over the years, he broadcast —frequently single-handedly— such marathon events as the Los Angeles riots, O.J. Simpson murder trial, and numerous natural disasters. Shocknek first made national news headlines anchoring the 1986 launch and explosion of Space Shuttle Challenger; and a strong aftershock to the deadly 5.9 1987 Whittier Narrows earthquake. The threat of falling studio lights forced Shocknek to take cover under his set's desk for several seconds as he continued reporting about ground- and studio movement.