Karl Freund

Karl W. Freund, A.S.C. (January 16, 1890 – May 3, 1969) was a German Bohemian and American cinematographer and film director. He is best known for photographing Metropolis (1927), Dracula (1931), and television's I Love Lucy (1951–1957). Freund was an innovator in the field of cinematography, often noted for pioneering the unchained camera technique. Early life Karl Freund was born in Dvůr Králové, Bohemia. When he was 11 his family moved to Berlin. His career began in 1905 when, at age 15, he was hired as an apprentice projectionist for Alfred Duskes films. In 1907, he began work at the International Cinematograph and Light Effect Society. Freund was drafted by the Imperial Army to fight in World War I but was released from duty after only three months. Early film career Freund began his film career in 1905. He was a newsreel cameraman in 1907 and a year later was working for Sascha-Film in Vienna. In 1911, Freund moved to Belgrade to create a film laboratory for the Brothers Savic. Freund worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920) and The Last Laugh (1924). Freund worked with director Fritz Lang on a multiple projects, of which Metropolis (1927) is the best known. Freund co-wrote, and was cinematographer on, Berlin: Symphony of a Metropolis (1927), directed by Walter Ruttmann. Between 1926 and 1929, Freund was the production head at Fox Europa Film. Freund's only known film as an actor is Carl Theodor Dreyer's Michael (1924) in which he appears as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter.