Freejack

Freejack is a 1992 American science fiction film directed by Geoff Murphy and starring Emilio Estevez, Mick Jagger, Rene Russo, and Anthony Hopkins. The screenplay was written by Steven Pressfield, Ronald Shusett and Dan Gilroy, who adapted it from the 1959 science fiction novel Immortality, Inc. by Robert Sheckley. The film was produced by Morgan Creek and released by Warner Bros. in the United States on January 17, 1992. It received mostly negative reviews. Plot In 2009, the super-wealthy achieve immortality by hiring "bonejackers", mercenaries equipped with time travel devices, to snatch people from the past, just prior to the moment of their deaths, for use as substitute bodies. Those who escape are known as "freejacks" and are considered less than human under the law. In this dystopian future, most people suffer from poor physical health as a result of rampant drug use and environmental pollution, making them unattractive as replacement bodies. Alex Furlong is a Formula One racer who is about to die in a spectacular 1991 crash when a time machine snatches him from the cockpit and into 21st century New York City, now a futuristic dystopia populated by scavengers and killers. When Furlong's captors are ambushed by a hit squad, Furlong escapes from Victor Vacendak, a hardened mercenary who has snatched him on behalf of the powerful McCandless Corporation. Alex's former fiancée Julie Redlund is now an executive at McCandless, handling high-stakes mineral negotiations with a rival Japanese firm. Alex spends much time escaping the clutches of Victor, a ruthless pursuer who nevertheless lives by a code of honor, and rekindling his relationship with Julie. Ian McCandless, Julie's boss, is revealed to have died and seeks to install his backed-up personality into Furlong's body. Besides evading Vacendak's army of mercenaries and McCandless police personnel, Alex and Julie also have to deal with fleeing from the private guards of McCandless's right-hand man Mark Michelette, who is gunning for McCandless's position. Alex finds he cannot trust his old friends from 1991, who are now eager to sell him out.