Deadline – U.S.A. is a 1952 American crime film written and directed by Richard Brooks and starring Humphrey Bogart, Ethel Barrymore and Kim Hunter.
Contents
Plot
Ed Hutcheson is the crusading managing editor of The Day, a large metropolitan newspaper . He is steadfastly loyal to publisher Margaret Garrison, the widow of the paper's founder John, but Garrison is soon to sell the newspaper to interests who plan cease operations.
Hutcheson assigns his reporters to the murder of a young woman named Bessie Smith and the involvement of racketeer Tomas Rienzi, which could turn out to be a circulation builder that keeps the paper in business. Reporters discover that Bessie had been Rienzi's mistress and that her brother Herman had conducted illegal business with Rienzi. Hutcheson provides Herman with an opportunity to safely tell his story, but Rienzi's thugs, disguised as cops, kidnap and kill Herman.
Garrison's daughters, majority stockholders Kitty and Alice, wish to sell The Day, but Garrison defiantly refuses, supported by Hutcheson. However, a judge permits the sale to proceed. Bessie's elderly mother Mrs. Schmidt appears in Hutcheson's office with her daughter's diary and $200,000 in cash, implicating Rienzi in his illegal activities. The presses roll as Hutcheson ignores Rienzi's threats.
Cast
Humphrey Bogart as Ed Hutcheson
Ethel Barrymore as Margaret Garrison
Kim Hunter as Nora Hutcheson
Ed Begley as Frank Allen
Warren Stevens as George Burrows
Paul Stewart as Harry Thompson
Martin Gabel as Tomas Rienzi
Joseph De Santis as Herman Schmidt
Joyce MacKenzie as Katherine "Kitty" Garrison Geary
Audrey Christie as Mrs. Willebrandt
Fay Baker as Alice Garrison Courtney
Jim Backus as Jim Cleary
Production
The story is based on the 1931 demise of the New York World newspaper, including the decision by the sons of Joseph Pulitzer to sell the paper rather than operate it themselves.
Reception
In a contemporary review for The New York Times, critic Bosley Crowther called the film an "entangled melodrama" and wrote:Mr. Bogart makes a striking picture of an outraged and unrelenting man who fights on all fronts for his associates and for the perpetuation of an institution in which he believes. It may be the complications Mr. Brooks has contrived for him are a little too snarled for easy following and unqualified belief. After all, it is asking a good bit of an audience to keep straight in mind three separate lines of development of interrelated plots, let alone allow the likelihood of the coincidence of all of them. ... But it has to be said for Mr. Bogart and for the writing and the direction of Mr. Brooks that, in spite of the melodramatic turmoil, they have brought forth a pretty straight m. e. [managing editor]. Really good newspaper pictures are few and far between. This one, while melodramatic, does all right by the trade.
Home media
The film was released on DVD and Blu-ray was in 2016. In the audio commentary, film historian Eddie Muller rates the film as one of the greatest ever made about the inner workings of a major newspaper.