Christian Petzold

Christian Petzold (born 1960) is a German film director and screenwriter. Part of the 21st century Berlin School film movement, he has received international recognition for directing films such as Jerichow (2008), Barbara (2012), and Phoenix (2014), all collaborations with actress Nina Hoss. For Barbara, Petzold won the Silver Bear for Best Director at the 62nd Berlin International Film Festival. Early life and education Born in Hilden and raised in Haan, where he graduated from high school in 1979, Petzold fulfilled his military civil service in a small cinema club of a local YMCA, showing films to troubled adolescents. From 1981 on he lived in Berlin, where he studied theatre and German studies at the Free University of Berlin. From 1988-1994, he studied film at the German Film and Television Academy Berlin (dffb) where he studied with mentors who "included filmmakers, media artists, and media theorists Harun Farocki and Hartmut Bitomsky, who are both known for their non-narrative films, video work, and film installations in galleries and museums." While at dffb, Petzold appeared in Thomas Arslan's short experimental film 19 Porträts (1990), a 16-millimeter black-and-white film in the tradition of Andy Warhol's Screen Tests. Career His first film was Pilotinnen, which he directed for his film school graduation in 1995. While The State I Am In (German: Die innere Sicherheit) (2000) was his first feature film, also noting his first collaboration with Harun Farocki. In 2005, his film Gespenster was presented at the Berlin International Film Festival, as was his 2007 film Yella. Petzold writes his own scenarios, often collaborating with Harun Farocki. As his former teacher at dffb, Farocki was a major influence on Petzold, who, along with Angela Schanelec and Thomas Arslan, is generally considered to be part of the Berlin School. While the Berlin School is often associated with a new turn towards realism and political cinema, Petzold's films, while they address issues of work and employment, also deal with conflicts between life and death. In Gespenster the protagonist leads a ghost-like existence. In Yella the protagonist is, possibly, already dead at the beginning of the film. These three films came to be called the "Gespenster Trilogy".