Overview
Ann Mitchell (born 22 April 1939) is a British stage and television actress. She came to prominence in the 1980s when she starred as Dolly Rawlins in the crime series Widows as well as the sequels Widows 2 and She's Out, all written by Lynda La Plante. In 2011, she was cast as Cora Cross in the BBC soap opera EastEnders, the mother of Tanya Branning and Rainie Cross. Mitchell has appeared in many roles in film, theatre and television and has played a significant number of major roles such as Mrs. Warren in Mrs. Warren's Profession and her Laurence Olivier Award nominated performance in Through the Leaves.
Personal life
Mitchell attended Raine's Foundation School and went on to train at East 15 Acting School, having received the first ever scholarship to the school. She has since worked in theatre, television, film and radio, starting with "Diary of a Young Man", a series written for her by John McGrath and Troy Kennedy Martin, directed by Ken Loach. She is a visiting lecturer at the Guildhall School of Music and Drama, East 15 Acting School and the Royal Academy of Dramatic Art, and is Master Tutor on the foundation course at WAC. Mitchell is on the board of directors of the Unity Theatre Trust, a Trustee of Arbours (a psychotherapeutic care centre) and is a Patron of Clean Break, a theatre and training company for female ex-offenders. Mitchell has been married twice and has two sons, one from each of her marriages, one of whom is the actor Ché Walker. She resides in London.
Career
In 1984 she received the Pye Award for Female who had the greatest impact on television for her role as Dolly Rawlins in the crime series Widows, written by Lynda La Plante. She had a cameo, as Amanda's mother, in the 2018 U.S. film version of her series, Widows. In 1992, she received the award "Performance of the Year" by The Independent on Sunday for her Hecuba at the Gate Theatre. In 2003 Mitchell was a nominee for Best Actress in the Evening Standard Awards and the Laurence Olivier Awards for her performance as Martha in Through the Leaves, first at the Southwark Playhouse and later the Duchess Theatre, London. Her work as a director and writer includes: Voices from Prison (RSC Platform), Cathy Come Home (first stage adaptation, Pit Theatre), Ever After (co-written with Cathy Itzin), Kiss and Kill (co-written with Susan Todd for Monstrous Regiment and nominated for the Susan Smith Blackburn Prize).
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