Alfonso Arau

Alfonso Arau Incháustegui (born 11 January 1932) is a Mexican filmmaker, actor, and singer. He worked as an actor and director in both Mexican and Hollywood productions for over 40 years, before his international breakthrough with the 1992 film Like Water for Chocolate, based on his wife Laura Esquivel's novel of the same name. His other films include A Walk in the Clouds (1995), Picking Up the Pieces (2000), The Magnificent Ambersons (2002), and Zapata: El sueño del héroe (2004). He is a five-time Ariel Award winner, including Best Director for Like Water for Chocolate, and a BAFTA nominee. Life and career The son of a physician, Arau was born in Mexico City. He directed the films Zapata: The Dream of a Hero, Like Water for Chocolate (adapted from the novel written by his ex-wife Laura Esquivel), A Walk in the Clouds with Keanu Reeves and Anthony Quinn, and the Hallmark Hall of Fame production A Painted House (adapted from the John Grisham novel of the same name). Among a plethora of roles in his career, Arau played "Captain Herrera", a lieutenant of Federal general "Mapache", in Sam Peckinpah's 1969 western The Wild Bunch; chief bandit "El Guapo" in Three Amigos (USA, 1986), a comedy with Martin Short, Steve Martin, and Chevy Chase; shady businessman Manuel in the comedy Used Cars (USA, 1980); and the smuggler "Juan" in Romancing the Stone (USA, 1984) starring Michael Douglas and Kathleen Turner. Arau appeared in the 1972 Mexican film El rincón de las vírgenes ("The Virgins' Corner"), where he played the assistant of a fake mystical doctor traveling from town to town, who reminisce about their travels, when a group of women decide to propose the doctor for sainthood. The movie was set in 1920s rural Mexico. Arau has made many appearances as a character actor in American and TV series and plays. In the 1972 episode of Gunsmoke titled "Hidalgo", Arau portrayed the bandit "Mando" who shoots and wounds marshal Matt Dillon. In 1973, Arau acted in and directed Calzónzin Inspector ("Cazonci" or "Caltzontzin" was the term used in the Purépecha culture, to name their emperors), a movie based on a character from the Mexican comic Los Supermachos of Rius, a cartoonist, who co-wrote the screenplay. The movie, which is influenced by Nikolai Gogol's The Government Inspector, centers around two Mexicans who are mistaken for government inspectors from Mexico City by the corrupt mayor of a small town.