Hugo Ball

Hugo Ball (; 22 February 1886 – 14 September 1927) was a German author, poet, and essentially the founder of the Dada movement in European art in Zürich in 1916. Among other accomplishments, he was a pioneer in the development of sound poetry. Life and work Hugo Ball was born in Pirmasens, Germany, and was raised in a middle-class Catholic family. He studied sociology and philosophy at the universities of Munich and Heidelberg (1906–1907). In 1910, he moved to Berlin in order to become an actor and collaborated with Max Reinhardt. At the beginning of World War I, he tried joining the army as a volunteer, but was denied enlistment for medical reasons. After witnessing the invasion of Belgium, he was disillusioned, saying: "The war is founded on a glaring mistake – men have been confused with machines." Considered a traitor in his country, he crossed the frontier with the cabaret performer and poet Emmy Hennings, whom he would marry in 1920, and settled in Zürich, Switzerland. There, Ball continued his interest in anarchism and in Mikhail Bakunin in particular; he also worked on a book of translations of works by Bakunin, which never got published. Although interested in anarchist philosophy, he nonetheless rejected it for its militant aspects, and viewed it as only a means to his personal goal of socio-political enlightenment. In 1916, Hugo Ball created the Dada Manifesto, making a political statement about his views on the terrible state of society and acknowledging his dislike for philosophies of the past that claimed to possess the ultimate truth. In the manifesto Ball aimed to legitimize the new artistic movement's ambition to not merely "write poetry with words", but to "write poetry out of the words", to create an entirely new language, due to the fact that the old language was viewed as "doomed", and "ruined by the filthy hands of capital". The central thought of modernism since Baudelaire regarding that the language has to be fixed, is here given a distinctive critique of economy as a motivation. The same year as the Manifesto, in 1916, Ball wrote his poem "," a poem consisting of nonsensical words. The meaning, however, resides in its meaninglessness, reflecting the chief principle behind Dadaism.