Dog Faced Hermans

Dog Faced Hermans were a post-punk band that formed in Scotland in the mid 1980s and remained active through the mid 1990s. They emerged from the UK anarcho-punk scene with a guitar/bass/drums line-up, but also incorporated trumpet and other instruments not commonly found in punk music at that time. Their composition style incorporated many genres of music outside of rock, including folk, jazz, ambient and noise music with often unorthodox instrumentation. History 1980s Dog Faced Hermans formed in Edinburgh, Scotland out of the female-fronted funk-punk sextet Volunteer Slavery, named after an album by Rahsaan Roland Kirk. Londoner Andy Moor, who was studying anthropology in Edinburgh, first met Colin McLean at a benefit for the Scottish Campaign to Remove the Atomic Menace, and the two shared a love of James Brown, free jazz, reggae, and African music. McLean owned both a guitar and a bass, which he traded off with Moor, eventually setting on who was to play which in the band after realizing that the songs they liked best were the ones with McLean on bass and Moor on guitar. Wilf Plum had been moonlighting with local noise bands Finitribe and Stretchheads, and Marion Coutts took time off from her studies at Edinburgh College of Art to play trumpet, and the whole group also took to banging on oil drums and other percussion.