Peg Woffington

Margaret Woffington (18 October 1720 – 28 March 1760), known professionally as Peg Woffington, was an Irish actress and socialite of the Georgian era. Peg and Peggy were a common pet name for those called Margaret until the late 20th century. Early life Woffington was born of humble origins in Dublin, Ireland. Her father is thought to have been a bricklayer, and after his death, the family became impoverished. Her mother was obliged to take in washing while Peg sold watercress door to door. Madame Violante, a famous tightrope walker took her on as her apprentice. Her sister Mary Woffington was also an actress but she did not enjoy the same success. Acting career Around 1730, Madame Violante featured the young Woffington in her Lilliputian Theatre Company's production of John Gay’s The Beggar’s Opera. Her performance as Mackheath served as a springboard for continued fame in Dublin. She continued dancing and acting in the area – playing Dorinda in an adaptation of The Tempest as the Theatre Royal, Dublin in 1735 and later joining the Smock Alley Theatre to perform with the well known actor, David Garrick. She danced and acted at various Dublin theatres until her early twenties, when her reputation drew a handsome offer from John Rich, the manager of the Covent Garden Theatre, to perform on the stages of London. There, she found immediate success, in the role of Sylvia in The Recruiting Officer by George Farquhar. She drew public attention when she was cast as Sir Harry Wildair in The Constant Couple. Audiences were intrigued, as at the time the role was highly associated with actor Robert Wilks, who had died seven years earlier. Nonetheless, her performance was well received, and audiences enjoyed her new interpretation of the role. She became well known as an actress thereafter. She performed at Drury Lane for several years and later returned to Dublin, appearing in a variety of plays. Her best-received performances were in comic roles, such as elegant women of fashion like Lady Betty Modish and Lady Townley, and breeches roles. She was impeded in the performance of tragedy by a harsh tone in her voice that she strove to eliminate.