Rob Cohen

Robert Alan Cohen (born March 12, 1949) is an American director and producer of film and television. Beginning his career as an executive producer at 20th Century Fox, Cohen produced and developed numerous high-profile film and television programs, including The Wiz, The Witches of Eastwick, and Light of Day until he began focusing on full-time directing in the 1990s. He directed the action films The Fast and the Furious and XXX. Early life and career Robert Alan Cohen was born in New York, son of Irwin and Beatrice Franz Cohen. In 1967 he graduated from Newburgh Free Academy in Newburgh, New York, where he was president of the Punchinello drama club, member of the JV golf team, editor of the Colonnade literary magazine and a member of the National Honor Society. He attended Harvard University and graduated magna cum laude in the class of 1971, after transferring from Amherst College after two years concentrating in a cross major between anthropology and visual studies. His first endeavor in filmmaking was a commissioned recruiting film for Harvard's Admissions Office in 1970, which became his senior thesis. He is Jewish. Upon graduation, Cohen immediately headed to Los Angeles to work as a screenwriter for Martin Jurow but soon found himself unemployed when the producer moved out of state. After a six-month stint as a kennel boy at the Harvey Animal Hospital in West Hollywood to make ends meet, Cohen landed a job as a reader for then-agent Mike Medavoy. Six weeks into his tenure at International Famous Agency (now part of ICM), he distinguished himself by discovering an unheralded script he found in a slush pile of neglected screenplays. Recognizing its quality, commerciality and uniqueness, Cohen wrote in his coverage that it was "the great American screenplay and this will make an award-winning, major-cast, major-director film." He championed the piece relentlessly, with his own job at stake, as Medavoy said that he would try to sell it on that recommendation, but promising to fire Cohen if he could not. Universal bought it that afternoon for a record price, and it became the Academy Award winning movie The Sting (1973). Cohen still keeps the coverage framed on the wall of his office, as this gave him his first identity in Hollywood: "the kid who found The Sting."