Overview
Anthony Schmalz Conrad (March 7, 1940 – April 9, 2016) was an American video artist, experimental filmmaker, musician, composer, sound artist, teacher, and writer. Active in a variety of media since the early 1960s, he was a pioneer of both drone music and structural film. As a musician, he was an important figure in the New York minimalist scene of the early 1960s, during which time he performed as part of the Theatre of Eternal Music (along with John Cale, La Monte Young, Marian Zazeela, and others). He became recognized as a filmmaker for his 1966 film The Flicker. He performed and collaborated with a wide range of artists over the course of his career.
Biography
Early life
Conrad was born in Concord, New Hampshire, to Mary Elizabeth Parfitt and Arthur Emil Conrad, and raised in Baldwin, Maryland and Northern Virginia. His father worked with Everett Warner during World War II in designing dazzle camouflage for the United States Navy. Conrad's high school violin lessons with symphony violist Ronald Knudsen introduced him to just intonation and double stop playing. After briefly studying violin at Baltimore's Peabody Conservatory, Conrad graduated from Harvard University in 1962 with a degree in mathematics. While studying at Harvard, Conrad was exposed to the ideas of experimental composers John Cage and Karlheinz Stockhausen. After working as a computer programmer, Conrad became involved in New York City's avant-garde arts scene.
1960s
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