Barry Sonnenfeld

Barry Sonnenfeld (born April 1, 1953) is an American filmmaker and television director. He originally worked as a cinematographer for the Coen brothers before directing films such as The Addams Family (1991) and its sequel Addams Family Values (1993), Get Shorty (1995), the Men in Black trilogy (1997–2012), and Wild Wild West (1999). Early life Sonnenfeld was born and raised in New York City, the son of Irene "Kelly" (Kellerman), an art teacher, and Sonny Sonnenfeld, a lighting salesman, educator, and architectural lighting designer. He was raised in a Jewish family. After he received his bachelor's degree from Hampshire College, he graduated from New York University Film School in 1978. Career He began working on pornographic films before starting work as director of photography on the Oscar-nominated In Our Water (1982). When he met Joel Coen at a Christmas party, he told Sonnenfeld about a script that he had written with brother Ethan Coen, Blood Simple, and hired him to be become their cinematographer, with the resulting movie coming out in 1984. This film began his collaboration with the Coen brothers, who used him for their next two pictures, Raising Arizona (1987) and Miller's Crossing (1990). He also worked with Danny DeVito on Throw Momma from the Train (1987) and Rob Reiner on When Harry Met Sally... (1989) and Misery (1990). Sonnenfeld gained his first work as a director from Paramount Pictures on The Addams Family, a box-office success released in November 1991. Its sequel, Addams Family Values (1993), was not as successful at the box office, but he received critical acclaim for his fourth directorial outing, Get Shorty (1995). Produced by Jersey Films and based on a novel by Elmore Leonard, the film won a Golden Globe for John Travolta (Best Actor in a Comedy or Musical). The film was also entered into the 46th Berlin International Film Festival. Following Tim Burton and the Coen brothers, Sonnenfeld's films would tell stories about unusual and unorthodox people who are into the unexpected and the strange. His films would often use his trademark filmmaking techniques such as his unusual camera angles, offbeat dialogue and, in certain films, strange behavior and weird creatures.