Overview
The role of sadism and masochism in fiction has attracted serious scholarly attention. Anthony Storr has commented that the volume of sadomasochist pornography shows that sadomasochistic interest is widespread in Western society; John Kucich has noted the importance of masochism in late-19th-century British colonial fiction. This article presents appearances of sadomasochism in literature and works of fiction in the various media.
Novels
Titles are sorted in chronological order.
Pre-19th century
Aloisiae Sigaeae, Toletanae, Satyra sotadica de arcanis Amoris et Veneris (1660) by Nicolas Chorier, translated into English as A Dialogue between a Married Woman and a Maid in various editions. depicts an older woman giving sexual instruction to a younger, recommending the spiritual and erotic benefits of a flogging.
Fanny Hill (1749) by John Cleland – depicts mutual flagellation, between Fanny and an English client. The understanding of flagellation is in transition from an aphrodisiac practice intended to improve sexual performance to a sexual activity in its own right.
Fashionable Lectures: composed and delivered with Birch Discipline (ca 1750) on the theme of flagellation by dominant women in positions of authority.
The 120 Days of Sodom (1785), Justine (1791), Philosophy in the Bedroom (1795), and Juliette (1797) by the Marquis de Sade – Have an extreme, sadistic perspective. "The term sadism derives from the Marquis de Sade (1740-1814), a French nobleman imprisoned for his libertinism, and for writing fantastic novels, such as Justine [1797] and Juliette [1797] that equated sexual pleasure with the inflicting of pain, humiliation, and cruelty".
Anti-Justine (1798) by Nicolas-Edme Rétif – A response to the works of de Sade, written in a like style, describing the opposite political point of view.
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