The Mind Is a Terrible Thing to Taste

The Mind Is a Terrible Thing to Taste is the fourth studio album by American industrial metal band Ministry, released on November 14, 1989 by Sire Records. The music took a more hardcore, aggressively guitar-driven direction, with Jourgensen inspired by Stormtroopers of Death and Rigor Mortis to add thrash metal guitars to the album and subsequent Ministry releases. As with most of Ministry's work, the album's lyrics deal mainly with political corruption, cultural violence, environmental degradation, nuclear war, drug addiction, and insanity. Background Jourgensen recalled the band's state as dysfunctional and the album's production as "complete chaos and mayhem", which gave the band a level of artistic freedom impossible had they planned it. Jourgensen says that despite being a fan favorite, it is not among his favorites because of the condition he was in at the time; he was heavily into drugs during recording and had a poor relationship with his bandmates. In one instance, he chased bassist Paul Barker around the studio with a chair and hit him on the head with it because he "couldn't stand him anymore". Jourgensen credited the era, the city, and the atmosphere at Chicago Trax Studios for the album. Bill Rieflin and Chris Connelly instead attributed the album's sound to the band's interest in technology. For pre-production, Rieflin said he and Barker watched films for a month, sampling anything that caught their interest. Instead of writing music, they all improvised individually, rarely collaborating with each other. Connelly compared it to exquisite corpse, a Surrealist technique in which an artistic work is created collaboratively without any of the participants having knowledge of the others' contribution. Rieflin cited "So What" as the only track to feature two musicians in the studio at the same time. After playing with the band on The Land of Rape and Honeys tour, Dave Ogilvie collaborated on this album. The New York-based rapper K-Lite sang vocals on "Test". Jourgensen said that Ministry and K-Lite had been recording songs at the same time at the studio. Both Jourgensen and K-Lite were impressed with the aggressiveness of each other's music, and Jourgensen invited him to contribute vocals for a track. Rieflin had previously recorded drums and bass after he became frustrated waiting for the others to contribute music to the track; Barker said he thinks that Rieflin played all the instruments on the song.