The Exile

The Exile is a 1931 American film directed by Oscar Micheaux with choreography by Leonard Harper. A drama-romance of the race film genre, The Exile was Micheaux's first feature-length sound film, and the first African-American sound film. Adapted from Micheaux's first novel The Conquest (1913), it the film shares some autobiographical elements; for example, Micheaux spent several years as a cattle rancher in an otherwise all-white area of South Dakota as does the film's central character Jean Baptiste (played by Stanley Morrell). Plot In Chicago, Edith Duval has become powerful in the African-American community, mostly because she came into possession of a South Chicago mansion where she was once a servant; the white family that owned the mansion abandoned it when blacks started moving into the neighborhood. She is in love with Jean Baptiste, but she rejects his idealism and he is at odds with her cynicism. Edith wants to convert the mansion into a speakeasy and nightclub. Baptiste buys land in South Dakota and becomes a successful rancher. Five years into his time there, he falls in love with young Agnes Stewart. He considers the situation hopeless because Agnes is white and although she accepts him, he feels as though they won't work together as a couple. After he leaves the area, Agnes's father reveals to her that her late mother, who is deceased, was of Ethiopian ancestry and thus, Agnes is part black. Fleeing back to Chicago to escape the relationship, which he believes is doomed, the former teetotaler Baptiste returns to Edith's club, her liquor and her charms. They plan to marry, but her former lover, an Ethiopian named Jango, appears, sneaks into Edith's room and complains of how she has ruined him. After he threatens suicide, she hands him a gun as a gesture of contempt. Instead of killing himself, he kills her. Baptiste is initially suspected of the murder but is cleared when a witness comes forward and confirms overhearing Jango and Edith arguing.